The Phantom Coach Amelia B. Edwards Amelia Ann Blanford Edwards (7 June 1831 - 15 April 1892), also known as Amelia B. Edwards, [1] was an English novelist, journalist, traveller and Egyptologist. Her most successful literary works included the ghost story "The Phantom Coach" (1864), the novels Barbara's History (1864) and Lord Brackenbury (1880), and the Egyptian travelogue A Thousand Miles up the Nile (1877), which described her 1873-1874 voyage up the Nile River. In 1882, she co-founded the Egypt Exploration Fund (now the Egypt Exploration Society) and became its joint Honorary Secretary. In 1889-1890, she toured the United States lecturing on Egyptian exploration. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Dead Witness gathers the finest adventures among private and police detectives from the nineteenth century and into the early twentieth--including a wide range of overlooked gems creating the finest ever anthology of Victorian detective stories. "The Dead Witness," the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology-surprises from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins, and C. L. Pirkis will take you from rural America to bustling London. Female detectives range from Loveday Brooke to Dorcas Dene and Madelyn Mack. In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in "The Crime at Big Tree Portage" and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course-not in another reprint of an already well-known story, but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range the gamut from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's "The Murders in the Rue Morgue," the first real detective story. Bret Harte is here and so is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind. Michael Sims's new collection unfolds the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.

The English novelist, journalist, and Egyptologist Amelia B. Edwards presents this collection of short stories. Edwards wrote several ghost stories, including "The Phantom Coach", which frequently appears in anthologies. The background and characters in many of her writings are influenced by her own personal experiences. For example, 'Barbara's History' uses Suffolk as the background, which she had visited for a few enjoyable summer holidays as a child. Some of the short stories included in this collection are: 'An Engineer's Story', 'A Service of Danger', 'The Story of Salome', 'Was It an Illusion?', and 'How the Third Floor Knew the Potteries.'

25 chilling short stories by outstanding female writers. Women have always written exceptional stories of horror and the supernatural. This anthology aims to showcase the very best of these, from Amelia B. Edwards's 'The Phantom Coach', published in 1864, through past luminaries such as Edith Wharton and Mary Elizabeth Braddon, to modern talents including Muriel Gray, Sarah Pinborough and Lilith Saintcrow. From tales of ghostly children to visitations by departed loved ones, and from heart-rending stories to the profoundly unsettling depiction of extreme malevolence, what each of these stories has in common is the effect of a slight chilling of the skin, a feeling of something not quite present, but nevertheless there. If anything, this showcase anthology proves that sometimes the female of the species can also be the most terrifying . . .

The Four-Fifteen Express By Amelia B. Edwards A man meets an ex-acquaintance on a train journey who has apparently swiped 75,000 Pounds Sterling. The man is accused of complicity at first and then he is written off with a simple mistaken identity. The events which I am about to relate took place between nine and ten years ago. Sebastopol had fallen in the early spring, the peace of Paris had been concluded since March, our commercial relations with the Russian empire were but recently renewed; and I, returning home after my first northward journey since the war, was well pleased with the prospect of spending the month of December under the hospitable and thoroughly English roof of my excellent friend, Jonathan Jelf, Esq., of Dumbleton Manor, Clayborough, East Anglia. Travelling in the interests of the wellknown firm in which it is my lot to be a junior partner, I had been called upon to visit not only the capitals of Russia and Poland, but had found it also necessary to pass some weeks among the trading ports of the Baltic; whence it came that the year was already far spent before I again set foot on English soil, and that, instead of shooting pheasants with him, as I had hoped, in October, I came to be my friend's guest during the more genial Christmas-tide. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

How do you move on from an irreplaceable loss? In a poignant debut, a sixteen-year-old boy must learn to swim against an undercurrent of grief—or be swept away by it. Otis and Meg were inseparable until her family abruptly moved away after the terrible accident that left Otis’s little brother dead and both of their families changed forever. Since then, it’s been three years of radio silence, during which time Otis has become the unlikely protégé of eighteen-year-old Dara—part drill sergeant, part friend—who’s hell-bent on transforming Otis into the Olympic swimmer she can no longer be. But when Otis learns that Meg is coming back to town, he must face some difficult truths about the girl he’s never forgotten and the brother he’s never stopped grieving. As it becomes achingly clear that he and Meg are not the same people they were, Otis must decide what to hold on to and what to leave behind. Quietly affecting, this compulsively readable debut novel captures all the confusion, heartbreak, and fragile hope of three teens struggling to accept profound absences in their lives.