Placing Stalinism in its international context, The Stalinist Era explains the origins and consequences of Soviet state intervention and violence.

The first book to analyze the distinct leader cults that flourished in the era of 'High Stalinism' as an integral part of the system of dictatorial rule in the Soviet Union and Eastern Europe. Fifteen studies explore the way in which these cults were established, their function and operation, their dissemination and reception, the place of the cults in art and literature, the exportation of the Stalin cult and its implantment in the communist states of Eastern Europe, and the impact which de-Stalinisation had on these cults.

From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.

Drawing on newly available materials from the Soviet archives, Polly Jones offers an innovative, comprehensive account of de-Stalinization in the Soviet Union during the Khrushchev and early Brezhnev eras. Jones traces the authorities' initiation and management of the de-Stalinization process and explores a wide range of popular reactions to the new narratives of Stalinism in party statements and in Soviet literature and historiography. Engaging with the dynamic field of memory studies, this book represents the first sustained comparison of this process with other countries' attempts to rethink their own difficult pasts, and with later Soviet and post-Soviet approaches to Stalinism.

A major new contribution to understanding the transition of Soviet society from Stalinism to a more humane model of socialism.

This breakthrough book provides a detailed reconstruction of Stalin’s leadership from the outbreak of the Second World War in 1939 to his death in 1953. Making use of a wealth of new material from Russian archives, Geoffrey Roberts challenges a long list of standard perceptions of Stalin: his qualities as a leader; his relationships with his own generals and with other great world leaders; his foreign policy; and his role in instigating the Cold War. While frankly exploring the full extent of Stalin’s brutalities and their impact on the Soviet people, Roberts also uncovers evidence leading to the stunning conclusion that Stalin was both the greatest military leader of the twentieth century and a remarkable politician who sought to avoid the Cold War and establish a long-term detente with the capitalist world. By means of an integrated military, political, and diplomatic narrative, the author draws a sustained and compelling personal portrait of the Soviet leader. The resulting picture is fascinating and contradictory, and it will inevitably change the way we understand Stalin and his place in history. Roberts depicts a despot who helped save the world for democracy, a personal charmer who disciplined mercilessly, a utopian ideologue who could be a practical realist, and a warlord who undertook the role of architect of post-war peace.