Over the course of the nineteenth century, transatlantic intellectuals slowly revised theological anthropology, or the doctrine of humanity seen in light of the divine. Gradually, elite discourse deposed humanity from its lofty estate and centering it within a naturalistic account wherein likeness to animal fauna became the central evaluative lens. Durst argues that theological anthropologies across the disciplines increasingly shifted focus away from classic confessional themes such as the soul and the image of God, and toward the methods of natural theology and intuitionism. This occurred in the form of challenges to theology in biology, phrenology, transcendentalism, anti-theology, Christian socialism, intuitionism, and religious experience. The human soul and human sinfulness also found a revised articulation in terms increasingly shaped by the cultural authority of science. An ascendant subjective approach to human nature emerged whereby religious experiences, not theological claims to truth, assumed prominence as the central measures of religious life.

The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal studies, ecocriticism, posthumanism, new materialism, and other recent theoretical perspectives, the essays in this collection discuss early naturalist texts as well as more recent naturalistic-oriented authors.

In Resounding Events, one of the world’s preeminent political theorists reflects on a career as an academic hailing from the working class. From youthful experiences of McCarthyism, to the resurgence of white evangelicalism, to the advent of aspirational fascism and the acceleration of the Anthropocene, Connolly traces a career spent passionately engaged in making a more just, diverse, and equitable world. He surveys the shifting ground upon which politics can be pursued; and he discloses how to be an intellectual in universities that today do not encourage that practice. Far more than a memoir, Resounding Events probes the concerns that have animated Connolly’s work across more than a dozen books by tracing the bumpy imbrications of event, memory and thinking in intellectual life. Connolly experiments with ways to capture various voices that mark a self at any time. An event, as he elaborates it, is what disturbs or inspires thinking as it activates layered sheets of memory. A memory sheet itself assembles recollections, dispositions organized from the past, and vague remains that carry efficacies. Resounding Events shows how resonances between event and memory can help forge new concepts better adjusted to an emergent situation. Addressing tensions between working class experience and norms of the academy, his father’s coma, antiwar protests, the growing disaffection of the white working class, the neoliberalization of the university, climate denialism, and his sister’s experience with workers shifting to Trump, Connolly shows how engaged intellectuals become worthy of the events they encounter.

This innovative collection explores uses of Shakespeare in a wide variety of 21st century contexts, including business manuals, non-literary scholarship, database aggregation, social media, gaming, and creative criticism. Essays in this volume demonstrate that users’ critical and creative uses of the dramatist’s works position contemporary issues of race, power, identity, and authority in new networks that redefine Shakespeare and reconceptualize the ways in which he is processed in both scholarly and popular culture. While The Shakespeare User contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network. This reticular understanding of Shakespeare use expands scholarly forays into non-academic practices, digital discourse communities, and creative critical works manifest via YouTube, Twitter, blogs, databases, websites, and popular fiction.

Of the approximately 38,500 deaths by suicide in the U.S. annually, about two percent--between 750 and 800--are murder-suicides. The horror of murder-suicides looms large in the public consciousness--they are reported in the media with more frequency and far more sensationalism than most suicides, and yet we have little understanding of this grave form of violence. In The Perversion of Virtue, leading suicide researcher Thomas Joiner explores the nature of murder-suicide and offers a unique new theory to explain this nearly unexplainable act: that murder-suicides always involve the wrongheaded invocation of one of four interpersonal virtues: mercy, justice, duty, and glory. The parent who murders his child and then himself seeks to save his child from a fatherless life of hardship; the wife who murders her husband and then herself seeks to right the wrongs he committed against her, and so on. Murder-suicides involve the gross misperception of when and how these four virtues should be applied. Drawing from extensive research as well as real examples from the media, Joiner meticulously examines, deconstructs, and finally rebuilds our understanding of murder-suicide in such a way that brings tragic reason to what may seem an unfathomable act of violence. Along the way, he dispels some of the most enduring myths of suicide--for instance, that suicide is usually an impulsive act (it is almost always pre-meditated), or that alcohol or drugs are involved in most suicides (usually they are not). Sure to be controversial, this book seeks to make sense of one of the most difficult-to-comprehend types of violence in modern society, shedding new light that will ultimately lead to better understanding and even prevention.

From the earliest times, societies have been seduced by the temptation of unitary thinking. Recognizing the vulnerability of existence, people and cultures privilege regimes that confer authority on a single entity, a sovereign ruler, a transcendental deity, or an Event, which they embrace with unquestioned devotion. Such obsessions precipitate contempt for the worldliness of real bodies in real time and refusal of responsibility and agency. In The Perils of the One, Stathis Gourgouris offers a philosophical anthropology that confronts the legacy of “monarchical thinking”: the desire to subjugate oneself to unitary principles and structures, whether political, moral, theological, or secular. In wide-ranging essays that are at once poetic and polemical, intellectual and passionate, Gourgouris reads across politics and theology, literary and art criticism, psychoanalysis and feminism in a critique of both political theology and the metaphysics of secularism. He engages with a range of figures from the Apostle Paul and Trinitarian theologians, to La Boétie, Schmitt, and Freud, to contemporary thinkers such as Clastres, Said, Castoriadis, Žižek, Butler, and Irigaray. At once a broad perspective on human history and a detailed examination of our present moment, The Perils of the One offers glimpses of what a counterpolitics of autonomy would look like from anarchic subjectivities that refuse external ideals, resist the allure of command and obedience, and embrace otherness.

Humanity operates like a force of nature capable of affecting the destiny of the Earth System. This epochal shift profoundly alters the relationship between humankind and the Earth, presenting the conscious, thinking human animal with an unprecedented dilemma: As human power has grown over the Earth, so has the power of nature to extinguish human life. The emergence of the Anthropocene has settled any question of the place of human beings in the world: we stand inescapably at its center. The outstanding question—which forms the impetus and focus for this book—remains: What kind of human being stands at the center of the world? And what is the nature of that world? Unlike the scientific fact of human-centeredness, this is a moral question, a question that brings theology within the scope of reflection on the critical failures of human irresponsibility. Much of Christian theology has so far flunked the test of engaging the reality of the Anthropocene. The authors of these original essays begin with the premise that it is time to push harder at the questions the Anthropocene poses for people of faith.