This dissertation presents the basic philosophical concepts of speech act theory in order to accurately implement them alongside other interpretive tools.

This monograph seeks to determine the geographical provenance of Isaiah 40-55. It reassesses past research pertaining to Babylonian influence and reexamines the claims that all or parts of Isaiah 40-55 reflect the concerns of the exilic community in Babylon. It further challenges the prevalent view that the return of the exiles is of central concern in Isaiah 40-55, and instead proposes that Jerusalem and her imminent restoration is its focal point. It interprets Isaiah 40-55 as a polyvalent text that allows multiple and often contradictory views regarding Jerusalem’s current suffering. The monograph investigates these views, understood to represent the opinons of different segments of the target audience of Isaiah 40-55, with the aim of determining their geographical and theological locations.

This volume is born out of two years of academic presentations on laments in the Biblical Hebrew Poetry Section at the Society of Biblical Literature (2006-2007). The topics of these papers are gathered around the theme of "voice." The two parts to this volume: 1) provide fresh readings of familiar texts as they are read through the lens of lamentation, and 2) deepen our understanding of Israel and God as lamenter and lamentee. In the second section the focus on topics such as Israel's "unbelieving faith" (i.e., strong accusations against the God on whom they have complete reliance and trust), the unrighteous lamenter, and God's acceptance and rejection of the people's lament(s), deepens our understanding of Israel's culture and practice of lamentation. The final essay notes how the expression of despair is in tension with the poetic devices that contain it.

A number of biblical scholars and theologians have had interest in speech act theory ever since J.L. Austin (1911–1960) outlined how a speaker can perform actions with words. John R. Searle has made a significant contribution to speech act theory after Austin by rooting his philosophy of language in the philosophy of mind; however, Searle’s categories remain largely under or misrepresented in theological circles. In this book, the author works exclusively with Searle’s categories to examine five NT texts on the ‘blood-of-Christ’ motif (Rom 3:25; Heb 9:12; John 6:52–59; Rev 1:5b–6; Rev 7:13–14). The main result is a broader understanding of Christ’s blood in a literal sense rather than simply as a metaphor for his death.

This volume showcases recent exploration of the portrait of Daughter Zion as “she” appears in biblical Hebrew poetry. Using Carleen Mandolfo’s Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.

Isa. 52:13-53:12 has occupied a special position within Jewish and Christian traditions, as well as within biblical scholarship. This book focuses particularly on different ways of reading this text. Historical-critical readings in the tradition after Bernhard Duhm are challenged. In Duhmian readings of Isa. 52:13-53:12, Gottesknecht has become a technical term, Ebed-Jahwe-Lied a genre, Stellvertretung an established theological concept and “servant song research” a separate discipline within biblical scholarship. After a critical presentation of the Duhmian readings, three other ways of reading Isa. 52:13-53:12 based on variations of linguistic theory are presented: one linguistic, one narratological and one intertextual. These show in different manners how the text is unstable, heterogeneous and composite. In these readings, the trope of personification is central.

The biblical prophets and Biblical Performance Criticism are brought together in three case studies (Elijah, Ezekiel, Jonah) presented as performances. This book proposes a new method of reading the biblical prophets with a threefold focus on creativity, commentary, and connections. With this method the many and varied performances of the prophets can be better appreciated. Critical analysis of the quintessentially performative nature of the prophets as embodied spokespersons for YHWH aids us in understanding and clarifying YHWH’s message to audiences, situations, and communities of the past as well as engaging contemporary audiences.