Many authors, in satisfying the reading public's insatiable need for escapist literature, invest much time and money in their efforts. Don't get me wrong - I read that literature myself. Why not? It is usually entertaining, if not suspenseful. In The Perennial Wanderer: An American in the World, however, it is my intent to demonstrate that life is indeed stranger than fiction, and I, not unlike the escapist writers, have invested much time and energy in bringing these life experiences to the reader. After working in so many countries - including war torn and conflictive countries such as Viet Nam, Colombia, Per+, Mozambique, Sudan and El Salvador - I have seen more than my share of violence, murder, mayhem, public corruption and chicanery. And none of my observations have taken place as a military man - my military experience, by the way, was in the peacetime Air Force in the beautiful Hawaiian Islands.

Experienced in 65 countries, the author offers a unique perspective on the world. Currently a resident in central Africa, "The Perennial Wanderer" is his contribution to readers' broader view of the world, particularly since the terrible events of 9-11.

Many authors, in satisfying the reading public's insatiable need for escapist literature, invest much time and energy. Don't get me wrong - I read that literature all the time myself. Why not? It is usually entertaining, if not suspenseful. In The Perennial Wanderer, however, it is my intent to demonstrate that life is indeed stranger than fiction, and I, not unlike the escapist writers, have invested much time and energy in bringing these life experiences to the reader. After working in so many countries - including war torn and conflictive countries such as Viet Nam, Colombia, Per, Mozambique, Sudan and El Salvador - I have seen more than my share of violence, murder, mayhem, public corruption and chicanery. And none of my observations have taken place as a military man ... my military experience, by the way, was in the peacetime Air Force in the beautiful Hawaiian Islands. About a decade ago - at the time of the FMLN communist rebel final offensive in El Salvador, at which time I was taken hostage - some friends in the State Department Mobile Security Team observed that Clint Eastwood should star in a movie about me. I do not think that Mr. Eastwood would now be interested. Besides, as noted: Life really is stranger than fiction.

An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index

The first book-length study of the notion of place and its implications in modern drama

‘One of the great stories of the American theater..., the Workshop not only built an international reputation with its daring choice of plays and nontraditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.’ – Elin Diamond, from the Introduction Herbert Blau founded, with Jules Irving, the legendary Actor's Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next 13 years and its hundred or so productions, it introduced American audiences to plays by Brecht, Beckett, Pinter, Genet, Arden, Fornes, and various unknown others. Most of the productions were accompanied by a stunningly concise and often provocative programme note by Blau. These documents now comprise, within their compelling perspective, a critique of the modern theatre. They vividly reveal what these now canonical works could mean, first time round, and in the context of 1950s and 60s American culture, in the shadow of the Cold War. Programming Theater History curates these notes, with a selection of the Workshop's incrementally artful, alluring programme covers, Blau's recollections, and evocative production photographs, into a narrative of indispensable artefacts and observations. The result is an inspiring testimony by a giant of American performance theory and practice, and a unique reflection of what it is to create theatre history in the present.