From June 12, 2020, until the passage of the state law making the occupation a felony two months later, peaceful protesters set up camp at Nashville's Legislative Plaza and renamed it for Ida B. Wells. Central to the occupation was Justin Jones, a student of Fisk University and Vanderbilt Divinity School whose place at the forefront of the protests brought him and the occupation to the attention of the Tennessee state troopers, state and US senators, and Governor Bill Lee. The result was two months of solidarity in the face of rampant abuse, community in the face of state-sponsored terror, and standoff after standoff at the doorsteps of the people's house with those who claimed to represent them. In this, his first book, Jones describes those two revolutionary months of nonviolent resistance against a police state that sought to dehumanize its citizens. The People's Plaza is a rumination on the abuse of power, and a vision of a more just, equitable, anti-racist Nashville—a vision that kept Jones and those with him posted on the plaza through intense heat, unprovoked arrests, vandalism, theft, and violent suppression. It is a first-person account of hope, a statement of intent, and a blueprint for nonviolent resistance in the American South and elsewhere.

Wonder meets Three Times Lucky in a story of empowerment as a young woman decides to help solve the mystery of multiple suspicious deaths in her group home. Sally Miyake can't read, but she learns lots of things. Like bricks are made of clay and Vitamin D comes from the sun. Sally is happy working in the kitchen at Sunnyside Plaza, the community center she lives in with other adults with developmental disabilities. For Sally and her friends, Sunnyside is the only home they've ever known. Everything changes the day a resident unexpectedly dies. After a series of tragic events, detectives Esther Rivas and Lon Bridges begin asking questions. Are the incidents accidents? Or is something more disturbing happening? The suspicious deaths spur the residents into taking the investigation into their own hands. But are people willing to listen? Sunnyside Plaza is a human story of empowerment, empathy, hope, and generosity that shines a light on this very special world.

From Parks and Recreation star Aubrey Plaza and creative partner Dan Murphy comes the long lost tale of the Christmas Witch, Santa Claus's much misunderstood twin sister. The perfect gift for the holiday season and beyond! Gather ‘round the fire to hear a Christmas legend that has never been told before...until now. Each year a mysterious figure sweeps into town, leaving behind strange gifts in the night. No, not Santa Claus, but his sister… The Christmas Witch. Her story begins many, many years ago when her brother was torn away from her as a child. Raised alone by a witch of the woods, Kristtörn's powers of magic grew, as did her temper. Determined to find her long lost twin, she set out on a perilous journey across oceans to find him. But what she found instead was a deep-seated fear of her powers and a confrontation that would leave the fate of Christmas hanging in the balance. From award-winning producer and actress Aubrey Plaza and her creative partner Dan Murphy comes a holiday story unlike any told before. With all the richness of classic folklore, they’ve woven a tale of bravery, love and magic. Whatever you thought you knew about Christmas…think again.

Journalist Julie Satow's thrilling, unforgettable history of how one illustrious hotel has defined our understanding of money and glamour, from the Gilded Age to the Go-Go Eighties to today's Billionaire Row. From the moment in 1907 when New York millionaire Alfred Gwynne Vanderbilt strode through the Plaza Hotel's revolving doors to become its first guest, to the afternoon in 2007 when a mysterious Russian oligarch paid a record price for the hotel's largest penthouse, the eighteen-story white marble edifice at the corner of Fifth Avenue and 59th Street has radiated wealth and luxury. For some, the hotel evokes images of F. Scott Fitzgerald frolicking in the Pulitzer Fountain, or Eloise, the impish young guest who pours water down the mail chute. But the true stories captured in THE PLAZA also include dark, hidden secrets: the cold-blooded murder perpetrated by the construction workers in charge of building the hotel, how Donald J. Trump came to be the only owner to ever bankrupt the Plaza, and the tale of the disgraced Indian tycoon who ran the hotel from a maximum-security prison cell, 7,000 miles away in Delhi. In this definitive history, award-winning journalist Julie Satow not only pulls back the curtain on Truman Capote's Black and White Ball and The Beatles' first stateside visit-she also follows the money trail. THE PLAZA reveals how a handful of rich, dowager widows were the financial lifeline that saved the hotel during the Great Depression, and how, today, foreign money and anonymous shell companies have transformed iconic guest rooms into condominiums that shield ill-gotten gains-hollowing out parts of the hotel as well as the city around it. THE PLAZA is the account of one vaunted New York City address that has become synonymous with wealth and scandal, opportunity and tragedy. With glamour on the surface and strife behind the scenes, it is the story of how one hotel became a mirror reflecting New York's place at the center of the country's cultural narrative for over a century.

Buddha says: Red powder like a skeleton, the human world is hell. Buddha said: I do not go to hell, who goes to hell? As a good monk who respected buddha and loved buddhas, Lin Kong ran down the mountain without any hesitation. With the hot-bloodedness of a virgin who had been holding back for twenty-two years, he threw himself into the good deeds of the rose-pink skeletons. Master Lin said: The ten thousand flowers, the Buddha sat in the mind. Good, good!

The Subversive Activities Prevention Law (SAPL) was the last major controversial law to be drafted at the end of the Allied Occupation of Japan (1945-1952) which was managed and controlled by General Headquarters (GHQ) under U.S. General MacArthur and was enacted into law after Japan had regained its formal independence in 1952. Soon after the Occupation began, prewar Japanese internal security laws were ordered abolished by the Occupation. Now that Japan would be re-gaining its independence in 1952, there was urgency to creating a new integrated national internal security law to fill the vacuum created by the Occupation, 1945-1952. The Subversive Activities Prevention Law was to be the centerpiece for maintaining internal security in the new independent Japan. It turned out to be an extremely controversial law that was vociferously opposed by the political opposition in and out of the Diet in light of the prewar history, surrounding how such internal security laws were implemented by the state security apparatus. The demonstrations in 1951-52 against the proposed law, organized by the labor unions, were the largest, loudest and most determined since the end of the war. This publication is the first analysis in English on how this law was drafted and debated, supported and opposed, using the 20+ drafts of the law, and the subsequent deliberations concerning the proposed law in the Houses of Representatives and Councillors. A short epilogue - since over 50 years have elapsed since the law was initially enacted in 1952 - analyzes the implementation of the law during these years. "The Subversive Activities Prevention Law of Japan, Its Creation, 1951-1952" will be of particular interest to those studying the Allied Occupation of Japan, the Japanese political and legislative process and its internal security laws.

“We don’t sell gardens; we sell images of gardens.” This observation on the part of a landscape architect makes it clear just how important it is that a design be effectively communicated to the community, clients, and the public. Drawings, models, simulations, and films communicate the designers’ proposed ideas and solutions, but they also convey their attitude toward the use of nature and the environment. With myriad possibilities – including computer programs as well as hand drawings and models, which continue to be widely used – and strong competition in the field, there is now a huge variety of visual representations, with agreed-upon rules but also a great deal of freedom. In three large sections, this books sifts through the currently commonplace and available techniques and evaluates them in terms of their informative value and persuasive power, always illustrating its points with analysis of examples from international firms. An introductory look at the development thus far is followed by a systematic presentation of modes of representation in two, three, and four dimensions – in the plane, in space, and in the temporal process. The second section deals with the sequence within the workflow: from the initial sketch through concept and implementation planning all the way to the finished product. The third section deals with the strategic use of visualizations in the context of competitions, future schemes, and large-scale landscape planning. The focus in this section is not on the familiar use of the relevant techniques, but rather on the methods and forms of visual representation in contemporary landscape architecture.