McLean works in the manuscript division of the National Archives of Canada, and draws extensively on unpublished sources to present a new interpretation of Scottish migration to Canada. Showing how the traditional clan society in western Inverness was disrupted by capitalism, she documents the emigration of nine coherent groups and their attempts to recreate Highland culture in Glengarry County in Ontario. Annotation copyrighted by Book News, Inc., Portland, OR

Scots, some of Upper Canadas earliest pioneers, influenced its early development. This book charts the progress of Scottish settlement throughout the province.

This book deals with the conditions in Scotland before the 1800 migration, settlement experiences in Glengarry, and the spread of these Scots-Canadians from Glengarry to the American and Canadian wests.

Nine-year-old Neil McDonald has always wanted to write a book. Every time he tries, though, it comes out `like the Hardy Boys or something'. But when a maverick substitute teacher challenges him to record all the events and thoughts of a single day, the doors of creativity swing open. It helps that the day in question is, in Neil's words, `pretty weird'. The time is the fall of 1971; the setting is lsquo;North America's northernmost Metropolis'. The cast includes Neil, his best friend Keith and his gnome-like baba, a budding Black Power advocate, the heavy-smoking son of anti-war activists, and a very small boy wielding a very large axe in a public park. Neil thinks his day will climax with the broadcast of the first night game in World Series history, but what he's in for is something much deeper, a surprise that will teach him much about the world and his place in it. In the end, Neil has his book. And it's nothing at all like the Hardy Boys.

The twelve original and two classic essays present provocative and timely thinking on Mamet's play and screenplay and offer a dialectic on performance and structure. The commentaries take diverse critical approaches to such subjects as feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights and perpectives on the theatricality, originality, and universality of the work. Also includes an interview with Sam Mendes. No index. Annotation copyright by Book News, Inc., Portland, OR

A significant number of Canadian-raised children from post-1970s immigrant families have reached adulthood over the past decade. As a result, the demographics of religious affiliation are changing across Canada. Growing Up Canadian is the first comparative study of religion among young adults of Muslim, Hindu, and Buddhist immigrant families. Contributors consider how relating to religion varies significantly depending on which faith is in question, how men and women have different views on the role of religion in their lives, and how the possibilities of being religiously different are greater in larger urban centres than in surrounding rural communities. Interviews with over two hundred individuals, aged 18 to 26, reveal that few are drawn to militant, politicized religious extremes, how almost all second generation young adults take personal responsibility for their religion, and want to understand the reasons for their beliefs and practices. The first major study of religion among this generation in Canada, Growing Up Canadian is an important contribution to understanding religious diversity and multiculturalism in the twenty-first century. Contributors include Peter Beyer, Kathryn Carrière, Wendy Martin, and Lori Beaman (University of Ottawa), Rubina Ramji (Cape Breton University), Nancy Nason-Clark and Cathy Holtmann (University of New Brunswick), Shandip Saha (Athabasca University), John H. Simpson (University of Toronto), and Marie-Paule Martel-Reny (Concordia University)

Winner of the 1984 Pulitzer Prize, David Mamet's scalding comedy is about small-time, cutthroat real esate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action -- where closing a sale can mean a brand new cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alex Baldwain, Jonathan Pryce, Ed Harris, and Kevin Spacey.