"The Penguin Concise Dictionary of Art History presents a new perspective on art history. In keeping with today's students, who are interested in more than just the details of connoisseurship and provenance, it takes an interdisciplinary approach, drawing upon literature, history, psychology, geography, economics, and other areas to set important artistic advances in a cultural context. With more than 1500 entries, ranging in length from 150 to 600 words, this is a concise yet highly readable work." "It also differs from similar references, which tend to be Eurocentric, by giving relatively more space to American art, artists, and architects; to the work of women artists; to sometimes controversial post-modern ideas; and to the words of the artists themselves, quoted in most of the major entries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Searchable database of over 1,900 terms used in the wide variety of visual media that makes up the art world.

"Excellent, concise . . . highly recommended." —Choice This extensively illustrated dictionary provides information on over 2,500 artists, paintings, sculptures, drawings, prints, schools and movements throughout the world, including entries on contemporary art and artists, techniques, materials, terms, and writers who have influenced artists.

What inspires a person to create? How does an artist see the world? What happens during a "eureka moment?" How does an artist find self-discipline? The Artist's Mentor is for those of us who want to create art but do not know how to begin. Drawing on interviews and autobiographical writings of more than 100 famous painters, photographers, sculptors, and film and video artists, Jackman gets to the heart of what makes art. Here, Michelangelo Brungardt, Frida Kahlo, Jean Renoir, Andy Warhol, Ansel Adams, Annie Leibowitz, Pablo Picasso, and many other visual artists describe the creative process. Quotes and passages from the artists are accompanied by commentary from Jackman.

Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.