A unique anthology celebrating that most vigorous of literary forms--the sonnet The sonnet is one of the oldest and most enduring literary forms of the post-classical world, a meeting place of image and voice, passion and reason, elegy and ode. It is a form that both challenges and liberates the poet. For this anthology, poet and scholar Phillis Levin has gathered more than 600 sonnets to tell the full story of the sonnet tradition in the English language. She begins with its Italian origins; takes the reader through its multifaceted development from the Elizabethan era to the Romantic and Victorian; demonstrates its popularity as a vehicle of protest among writers of the Harlem Renaissance and poets who served in the First World War; and explores its revival among modern and contemporary poets. In her vibrant introduction, Levin traces this history, discussing characteristic structures and shifting themes and providing illuminating readings of individual sonnets. She includes an appendix on structure, biographical notes, and valuable explanatory notes and indexes. And, through her narrative and wide-ranging selection of sonnets and sonnet sequences, she portrays not only the evolution of the form over half a millennium but also its dynamic possibilities.

Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.

With no fewer than 84 contributors, this is a truly groundbreaking anthology. There are plenty of modern sonnet anthologies around; but none that have delved so thoroughly into the myriad ways poets have stretched, deconstructed and re-composed the venerable form, including visual and concrete sonnets. We take as our time frame 1945 to the 21st century, with poets ranging from Edwin Denby (born - 1903) to those currently in their twenties. Jeff Hilson, the editor, contributes an introductory essay.It's contributors include: Robert Adamson, Jeremy Adler, Tim Atkins, Ted Berrigan, Jen Bervin, Rachel Blau duPlessis, Christian Bok, Sean Bonney, Ebbe Borregaard, Jonathan Brannen, Pam Brown, Laynie Browne, Thomas A Clark, Adrian Clarke, John Clarke, Bob Cobbing, Clark Coolidge, Kelvin Corcoran, Beverly Dahlen, Ian Davidson, Edwin Denby, Laurie Duggan, Paul Dutton, Ken Edwards, Michael Farrell, Allen Fisher, Kathleen Fraser, William Fuller, John Gibbens, Harry Gilonis, Giles Goodland, Bill Griffiths, Alan Halsey, Robert Hampson, Jeff Hilson, Anselm Hollo, Lyn Hejinian, Piers Hugill, Peter Jaeger, Elizabeth James, Lisa Jarnot, Keith Jebb, Justin Katko, John Kinsella, Philip Kuhn, Michelle Leggott, Tony Lopez, Chris McCabe, Steve McCaffery, Jackson Mac Low, Richard Makin, Peter Manson, Brian Marley, Bernadette Mayer, Jay Millar, David Miller, and Peter Minter.

Beginning with the early masters of the sonnet form, Dante and Petrarch, the Companion examines the reinvention of the sonnet across times and cultures, from Europe to America. In doing so, it considers sonnets as diverse as those by William Shakespeare, William Wordsworth, George Herbert and e. e. cummings. The chapters explore how we think of the sonnet as a 'lyric' and what is involved in actually trying to write one. The book includes a lively discussion between three distinguished contemporary poets - Paul Muldoon, Jeff Hilson and Meg Tyler - on the experience of writing a sonnet, and a chapter which traces the sonnet's diffusion across manuscript, print, screen and the internet. A fresh and authoritative overview of this major poetic form, the Companion expertly guides the reader through the sonnet's history and development into the global multimedia phenomenon it is today.