This compact and accessible reference work provides all the essential facts and figures about major aspects of modern British history from the death of Queen Anne to the end of the 1990s. The Longman Handbook of Modern British History has been extended to include a fully-revised bibliography (reflecting the wealth of newly published material in recent years), the new statistics on social and economic history and an expanded glossary of terms. The political chronologies have been revised to include the electoral defeat of John Major and the record of New Labour in office. Designed for the student and general reader, this highly-successful handbook provides a wealth of varied data within the confines of a single volume.

Before Modernism Was places modernist writing within the texture of modern history. Texts by Woolf, James, Freud, Wyndham Lewis, Stein, Malinowski, and others are read through a range of figures that construct and disrupt modern meaning: the ghost that affects the value of your property; the sulky, graceless adolescent; the Pole who may not be Polish; the nervous owner of the dog; the addict and her smoke. Eccentric to its institutions, these figures are central to the constituency of modernism.

In July 1888, fourteen hundred women and girls employed by the matchmakers Bryant and May walked out of their East End factory and into the history books. Louise Raw gives us a challenging new interpretation of events proving that the women themselves, not celebrity socialists like Annie Besant, began it. She provides unequivocal evidence to show that the matchwomen greatly influenced the Dock Strike of 1889, which until now was thought to be the key event of new unionism, and repositions them as the mothers of the modern labour movement. Returning to the stories of the women themselves, and by interviewing their relatives today, Raw is able to construct a new history which challenges existing accounts of the strike itself and radically alters the accepted history of the labour movement in Britain.

This biography considers the impact of a remarkable individual on a number of issues in Britain during the late 19th and early 20th centuries and makes a contribution to the political and cultural history of the period. The son of a Unitarian minister, Perris devoted his life to many causes including the Peace Movement, the promotion of international understanding, the encouragement of democracy at home and abroad, particularly in Tsarist Russia, and the development of new policies to replace laissez-faire capitalism. He was a successful journalist, prolific author and pamphleteer. In the field of publishing, Perris founded one of the early literary agencies and originated the Home University Library, which provided specially commissioned cheap, authoritative introductions to academic subjects for general readers. In 1914, breaking with many of his radical friends, Perris became a principled supporter of the war he believed to have been caused by unprovoked German aggression. He was a distinguished correspondent with the French armies for the London Daily Chronicle and was an early supporter of the proposed League of Nations.

In the final decades of the nineteenth century modernizing interpretations of leisure became of interest to social policy makers and cultural critics, producing a discourse of leisure and voluntarism that flourished until the Second World War. The free time of British citizens was increasingly seen as a sphere of social citizenship and community-building. Through major social thinkers, including William Morris, Thomas Hill Green, Bernard Bosanquet and John Hobson, leisure and voluntarism were theorized in terms of the good society. In post-First World War social reconstruction these writers remained influential as leisure became a field of social service, directed towards a new society and working through voluntary association in civic societies, settlements, new estate community-centres, village halls and church-based communities. This volume documents the parallel cultural shift from charitable philanthropy to social service and from rational recreation to leisure, teasing out intellectual influences which included social idealism, liberalism and socialism. Leisure, Robert Snape claims, has been a central and under-recognized organizing force in British communities. Leisure, Voluntary Action and Social Change in Britain, 1880-1939 marks a much needed addition to the historiography of leisure and an antidote to the widely misunderstood implications of leisure to social policy today.

This book studies the dialectic relationship between the image of the child and the toy in literary depictions of childhood in 19th- and 20th- century Anglo-American fiction. Drawing from the psychoanalytic theories of Sigmund Freud, Anna Freud, D.W. Winnicott, and Sudhir Kakar, it analyses themes such as the heterogeneity of childhood and the construction of the ideals of childhood. It explores the linkages between the ideals of childhood in Britain and its travel to America and further dissemination in British India. It discusses the established tropes of childhood such as innocence, a formative period, the centrality of play, and the presence of a toy to argue that the mores of childhood are culturally constructed and lead to the reification of a child into an image of perfection. The author problematises the notion of essential innocence and discusses the repercussions of such stereotypes about childhood. The work also highlights parallels between the ideals of childhood established in 19th-century Britain and the portrayals of postcolonial Indian childhoods in 20th-century Indian English literature. Toying with Childhood will be useful for students and researchers of education, childhood studies, psychology, sociology, literature, gender studies, and development studies. It will also appeal to general readers interested in cultural perceptions of childhood, literary depictions of children, and the works of Sigmund Freud.

"The Spirit of Britain" is a masterly survey of the country's arts- literature, music, poetry, painting, architecture, theater, and all the related subjects that, over the centuries, have given British intellectual and cultural life its unique character and vitality. Presented to the reader as a single unfolding narrative, from the Celts to the present day, the arts are set within a vivid panorama of the social, economic, political, and ideological forces that shaped them. 400 gorgeous photographs and works of art add immensely to the dramatic impact of this landmark work of cultural history.