Set in the year 2169, in the post-apocalyptic Domed city of Havanna, rigidly controlled by a computer-operating system called BUDDY, Corey Tusk is about to be married off in a mating ceremony with his fellow high school graduates. But when the girl he loves is chosen by another boy, a distraught Corey refuses to choose another mate and is exiled from the oppressive world he was brought up in. Barely escaping with his life, he manages to make it to Peddler’s Island, which houses the people who pedal to create electricity for Havanna. He soon makes new friends and discovers the truth behind BUDDY and those who controlled his hometown from afar. When he learns about the far-reaching corruption and sees firsthand the violence of those in charge, he knows he must fight to find a way to free the people he loves. But can one rebellious man bring down this tyrannical system before it’s too late?

Who, really, is the peddler in the yellow bow tie? A little old man is watering his garden when a squeak squeak squeak gets his attention. In the distance on the narrow country road, he sees a peddler driving his cart. The old man's dog, Happy, barks in welcome. The old man notices a beautiful bed on the top of the cart, and the courtly peddler, whose blue tailcoat matches his bowler, is happy to bring it down - but the old man hasn't any way to pay for it. The peddler makes a bargain: if the old man can make it squeak by the end of the day, it will be his. But the bed is so sturdy it never squeaks, unlike the door of the old man's house, his water pump, a field mouse being chased by Happy, and so on. The old man invites the peddler in for a cup of tea and a bit of conversation, giving the peddler a chance to see the extent of the old man's humble circumstances. The old man is never able to make the bed squeak, but a little kind trickery from the peddler ensures his peaceful rest. Fortino's subtle story of kindness and courtesy features plenty of read-aloud - friendly repetition and onomatopoeia. Redila's palette has the color and clarity of stained glass, and his figures are slightly exaggerated, suggesting Baum's original Oz. -- amazon.com

“This wonderful collection of Kentucky ghost stories” is a treasure trove of history, heritage, and commentary on the oral tradition of storytelling (Elizabeth Tucker, author of Haunted Halls). In Kentucky Hauntings, beloved storytellers Roberta Simpson Brown and Lonnie E. Brown present a thrilling collection of paranormal tales that will appeal to anyone looking for a friendly scare. Weaving together factual accounts of unexplained events, peculiar headlines, and local legends passed down from a time when most homes lacked electricity, Kentucky Hauntings combines spooky stories with commentary on historic customs. From "telling the bees" about a death in the family, to a friendly "fool's errand" practical joke gone horribly wrong, and from terrifying haunted houses to the lifesaving "Bathtub Ghost," readers are transported to a world of age-old superstitions and paranormal experiences. Whether shared around the fire on a crisp autumn night or whispered in a huddle of close friends at a summer sleepover, these eerie stories will thrill and excite anyone who loves a good scare.

Fourteen essays examining the dynamics of trust and mistrust in Jewish history from biblical times to today. What, if anything, does religion have to do with how reliable we perceive one another to be? When and how did religious difference matter in the past when it came to trusting the word of another? In today’s world, we take for granted that being Jewish should not matter when it comes to acting or engaging in the public realm, but this was not always the case. The essays in this volume look at how and when Jews were recognized as reliable and trustworthy in the areas of jurisprudence, medicine, politics, academia, culture, business, and finance. As they explore issues of trust and mistrust, the authors reveal how caricatures of Jews move through religious, political, and legal systems. While the volume is framed as an exploration of Jewish and Christian relations, it grapples with perceptions of Jews and Jewishness from the biblical period to today, from the Middle East to North America, and in Ashkenazi and Sephardi traditions. Taken together these essays reflect on the mechanics of trust, and sometimes mistrust, in everyday interactions involving Jews. “Highly readable and compelling, this volume marks a broadly significant contribution to Jewish studies through the underexplored dynamic of trust.” —Rebekah Klein-Pejšová, author of Mapping Jewish Loyalties in Interwar Slovakia “An exemplary compendium on how to engage with a major concept—trust—while providing load of gripping new information, new theorization of otherwise well-covered material, and meticulous attention to textual and sociological sources.” —Gil Anidjar, author of Blood: A Critique of Christianity

Streisand: A Biography is much more than the story of the world's greatest living performer, how she got there, and why she remains at the top after three decades, it is also, in Anne Edward's sure hands, a compelling chronicle of a woman's fight to validate her appearance, her talent, and her right to love and be loved. Time and time again Streisand has demonstrated the ability to reinvent herself to keep pace with the continuing changes in musical taste. This updated edition of Edwards's pioneering biography chronicles her public life as a political activist as well as her private life as Mrs. James Brolin.

Emília and Luzia dos Santos, orphaned when they are children, grow up under the protection of their aunt in the hillside village of Taquaritinga, Brazil. Raised as seamstresses, the sisters learn how to cut, how to mend and how to conceal. Emília treasures pretty, girlish things and longs to escape from the confines of the little town. Captivated by the romances she reads in magazines, she dreams of finding love in the bustle and glamour of the city. Luzia, scarred by a childhood accident that has left her with a deformed arm, knows that for her, real life can not be romantically embroidered, and so she finds solace in her sewing and in the secret prayers to the saints she believes once saved her life. But when Luzia is abducted by a gang of rebel bandits, the sisters' lives diverge in ways they never imagined. Whilst Luzia learns to survive in the unforgiving Brazilian outland, discovering love in the most unexpected of places, Emília meets the son of a wealthy doctor who seems to offer her everything she has always desired. But for the innocent dreamer, the excitement of her escape to the city is soon overshadowed by disillusion and loneliness. As she learns how to navigate the treacherous waters of Brazilian high society, the bandits' campaign against the land-owning 'Colonels' intensifies, and when a price is placed upon Luzia's head Emília realises she must risk everything in order to save her sister.

Some days in the life of an uncalled witness who is not out to defend religion, but merely to share what he has seen, heard, read, and knows to be true in hopes that others will put their trust in the Master as he has.