From an author at the forefront of research in this area comes this provocative and seminal work that presents a unique and fresh new look at history and theory. Taking a broadly European view, the book draws on works of French and German philosophy, some of which are unknown to the English-speaking world, and Martin L. Davies spells out what it is like to live in a historicized world, where any event is presented as historical as, or even before, it happens. Challenging basic assumptions made by historians, Davies focuses on historical ideas and thought about the past instead of examining history as a discipline. The value of history in and for contemporary culture is explained not only in terms of cultural and institutional practices but in forms of writing and representation of historical issues too. Historics stimulates thinking about the behaviours and practice that constitute history, and introduces complex ideas in a clear and approachable style. This important text is recommended not only for a wide student audience, but for the more discerning general reader as well.

Changes or innovations which threaten `our heritage' arouse great hostility in those who want to preserve the past in its entirity.`The heritage' has become a commodity, a device to sell everything from biscuits to country houses. Fowler skilfully examines the present relationship between the past and the present, analysing the manner in which we mould and interpret the past to fit our current needs. He assesses the influence of our heritage in the last decade of the 20th century, and with a wide range of examples judges the consequences of the increasing pressures of the heritage industry. As well as a diagnosis of where the past is being misused, he provides prescriptions for responsible development, and a thoughtful interpretation of a common past. As well as addressing the needs of the professional involved in the heritage industry he also considers the consumer - all those who visit museums, enjoy a historic site or an art exhibition, or who simply dislike the hijacking of our common heritage by commercial or vested interests.

This innovative collection of essays from an international range of contributors describes various means of preserving, protecting and presenting vital cultural resources within the context of economic development, competing claims of "ownership" of particular cultural resources, modern uses of structures and space, and other aspects of late twentieth-century life.

This best-selling text emphasizes that social and cultural changes are the pervasive realities of our era. One of the main themes of Contemporary Society is that the transition from an industrial to a post-industrial order in the modern world is fraught with difficulties, as was the transition from an agricultural to an industrial order in an earlier era. Within this framework, we can observe the increasing fragmentation of the social order, which tends to lead people away from community and a common purpose and often invites conflict and disunity. At the same time, countervailing social forces are also at work, providing some stability, some shelter in the storm. Finally, societies are faced with the rapid and transformative power of information technology, a fact that propels separate groups of people into a global entity.

First published in 2002. Routledge is an imprint of Taylor and Francis, an informa company.