As strong and fiery as undiluted Irish whiskey.--New York Times Book Review

This “fast-moving, entertaining biography” of the woman behind the Parish Hadley interior design firm is “like eavesdropping on a lively society lunch” (Publishers Weekly). A New York Times Notable Book Sister—as she was called by family and friends—was born Dorothy May Kinnicutt into a patrician New York family in 1910, and spent her privileged early life at the right schools, yacht clubs, and coming-out parties. Compelled to work during the lean years of the Depression, she combined her innate design ability with her upper-echelon social connections to create an extraordinarily successful interior decorating business. The Parish-Hadley firm’s list of clients reads like an American Who’s Who, including Astors, Paleys, Rockefellers, and Whitneys—and she helped Jacqueline Kennedy transform the White House from a fusty hodge-podge into a historically authentic symbol of American elegance. Cozy, airy, colorful but understated, her style came to be known as “American country,” and its influence continues to this day. Compiled by her daughter and granddaughter from Sister’s own unpublished memoirs, as well as from hundreds of interviews with family members, friends, staff, world-renowned interior designers (Mark Hampton, Mario Buatta, Keith Irvine, Bunny Williams, and her longtime partner Albert Hadley, among many others), and clients including Annette de la Renta, Glenn Bernbaum, and Mrs. Thomas Watson, Sister Parish takes us into the houses—and lives—of some of the most fascinating and famous people of this inimitable woman’s time. Fully updated, the revised edition features a new foreword by Albert Hadley and an appreciation by Bunny Williams, who began her career at Parish-Hadley. “Selections from Mrs. Parish’s own rather wonderful, often moving, reminiscences, intercut with observations from her family, employees, clients and friends.” —The New York Times Book Review “Sister’s delightfully self-deprecating humor illuminates the biography throughout.” —Kirkus Reviews Includes photographs

In this whirlwind regency romance, perfect for fans of Netflix's Bridgerton, a near-death experience leads to a marriage of convenience for two unsuspecting strangers, but will their unusual meeting lead them to true love? Lady Amelia was raised to be the perfect duchess, accomplished in embroidery, floral arrangement, and managing a massive household. But when an innocent mistake forces her and the uncouth, untitled Benedict Asterly into a marriage of convenience, all her training appears to be for naught. Even worse, she finds herself inexplicably drawn to this man no finishing school could have prepared her for. Benedict Asterly never dreamed saving Amelia’s life would lead to him exchanging vows with the hoity society miss. Benedict was taught to distrust the aristocracy at a young age, so when news of his marriage endangers a business deal, Benedict is wary of Amelia’s offer to help. But his quick-witted, elegant bride defies all his expectations . . . and if he’s not careful, she’ll break down the walls around his guarded heart.

A New York City ethnography that explores men's unique approaches to Catholic devotion Every Saturday, and sometimes on weekday evenings, a group of men in old clothes can be found in the basement of the Shrine Church of Our Lady of Mount Carmel in Williamsburg, Brooklyn. Each year the parish hosts the Feast of Our Lady of Mount Carmel and San Paolino di Nola. Its crowning event is the Dance of the Giglio, where the men lift a seventy-foot tall, four-ton tower through the streets, bearing its weight on their shoulders. Drawing on six years of research, Alyssa Maldonado-Estrada reveals the making of this Italian American tower, as the men work year-round to prepare for the Feast. She argues that by paying attention to this behind-the-scenes activity, largely overlooked devotional practices shed new light on how men embody and enact their religiosity in sometimes unexpected ways. Lifeblood of the Parish evocatively and accessibly presents the sensory and material world of Catholicism in Brooklyn, where religion is raucous and playful. Maldonado-Estrada here offers a new lens through which to understand men’s religious practice, showing how men and boys become socialized into their tradition and express devotion through unexpected acts like painting, woodworking, fundraising, and sporting tattoos. These practices, though not usually considered religious, are central to the ways the men she studied embodied their Catholic identity and formed bonds to the church.