It is A.D. 70, and Evardus, a wine merchant from Gaul, has encountered a dying rabbi on a road outside of Jerusalem. With his final breaths, the old man urgently tells Evardus that Jewish priests have spirited sacred objects and records away from Herod's Temple in the hope of keeping them out of the hands of Roman soldiers--who are, at that very moment, attacking Jerusalem and destroying the Jews' most holy site. The merchant learns of a copper scroll hidden beneath the Holy of Holies and a map that leads to the holy objects. A thousand years later, while on a Crusade to Palestine, a descendant of the merchant finally uncovers those secrets below the temple. They include an astonishing parchment that threatens the very foundations of the Church and Christianity. The grand master of the Templars develops a scheme to advance the interests of his order, but the plan has devastating consequences. The parchment survives, however, and for nearly a millennium remains hidden in plain sight. With the dawning of the twenty-first century and pivotal world events, two American professors discover the document while researching a book. Like those before, they are tempted to use it for their own purposes. The course they pursue leads to unforeseen consequences that affect events in the Middle East and a crucial turning point for the Vatican. Gerald McLaughlin shows us a rich, haunting tableau that spans two thousand years. We are given a timely glimpse into the often-disastrous ways that we tend to deal with faith when confronted by fear and ambition, and how moral choices are made in the face of the continuing battle between good and evil--both in ourselves and in the world. Ultimately, the author shines a light of profound hope and faith into the darkest recesses of the human soul, our modern life, and world events.

Interweaving media theory and historical analysis, this book explores the effect new digital-telecommunication technologies, which Deibert calls hypermedia, will have on the distribution of political power in the next century. Deibert tracks the transf

When Silas House made his debut with Clay's Quilt last year, it touched a nerve not just in his home state (where it quickly became a bestseller), but all across the country. Glowing reviews-from USA Today (House is letter-perfect with his first novel), to the Philadelphia Inquirer (Compelling. . . . House knows what's important and reminds us of the value of family and home, love and loyalty), to the Mobile Register (Poetic, haunting), and everywhere in between-established him as a writer to watch. His second novel won't disappoint. Set in 1917, A PARCHMENT OF LEAVES tells the story of Vine, a beautiful Cherokee woman who marries a white man, forsaking her family and their homeland to settle in with his people and make a home in the heart of the mountains. Her mother has strange forebodings that all will not go well, and she's right. Vine is viewed as an outsider, treated with contempt by other townspeople. Add to that her brother-in-law's fixation on her, and Vine's life becomes more complicated than she could have ever imagined. In the violent turn of events that ensues, she learns what it means to forgive others and, most important, how to forgive herself. As haunting as an old-time ballad, A PARCHMENT OF LEAVES is filled with the imagery, dialect, music, and thrumming life of the Kentucky mountains. For Silas House, whose great-grandmother was Cherokee, this novel is also a tribute to the family whose spirit formed him.

"Travel back in time to the kingdom of Terrestria, the realm of the good King Emmanuel, where knights and their ladies live in castles and where dragons still roam (occasionally). Yet the land is at war. Evil, cruel Argamor wants the throne. And he has loyal followers placed strategically throughout the kingdom. Who will win the battle for Terrestria, and on which side will Josiah find himself?"--Back cover.

Chretien de Troyes was France's great medieval poet—inventor of the genre of courtly romance and popularizer of the Arthurian legend. The forty-four surviving manuscripts of his work (ten of them illuminated) pose a number of questions about who used these books and in what way. In Sealed in Parchment, Sandra Hindman scrutinizes both text and images to reveal what the manuscripts can tell us about medieval society and politics.

What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny. The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real. In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.

Technological revolutions have had an unquestionable, if still debatable, impact on culture and society—perhaps none more so than the written word. In the legal realm, the rise of literacy and print culture made possible the governing of large empires, the memorializing of private legal transactions, and the broad distribution of judicial precedents and legislation. Yet each of these technologies has its shadow side: written or printed texts easily become static and the textual practices of the legal profession can frustrate ordinary citizens, who may be bound by documents whose implications they scarcely understand. Parchment, Paper, Pixels offers an engaging exploration of the impact of three technological revolutions on the law. Beginning with the invention of writing, continuing with the mass production of identical copies of legal texts brought about by the printing press, and ending with a discussion of computers and the Internet, Peter M. Tiersma traces the journey of contracts, wills, statutes, judicial opinions, and other legal texts through the past and into the future. Though the ultimate effects of modern technologies on our legal system remain to be seen, Parchment, Paper, Pixels offers readers an insightful guide as to how our shifting forms of technological literacy have shaped and continue to shape the practice of law today.