This book constitutes the refereed proceedings of the 12th International Conference on Digital Forensics and Cyber Crime, ICDF2C 2021, held in Singapore in December 2021. Due to COVID-19 pandemic the conference was held virtually. The 22 reviewed full papers were selected from 52 submissions and present digital forensic technologies and techniques for a variety of applications in criminal investigations, incident response and information security. The focus of ICDS2C 2021 was on various applications and digital evidence and forensics beyond traditional cybercrime investigations and litigation.

It is July of 1987, and Christof Douglas, president of an entertainment company, which is part of a multinational conglomerate, has just arrived at his summer cottage to meet his wife, Katya, for much-needed respite when he receives two urgent messages from a Miss Kelso, who implies he knows her. But there is only one problem: Douglas has never heard of heror so he thinks. Douglas, who has been working incessantly ever since his daughter was killed years earlier, continues at a frenetic pace, even when he should be reconnecting with his wife. When a big deal suddenly falls through and Douglas learns that Kelso has been murdered, however, he finds himself in the midst of a homicide investigation where he soon discovers that Kelso is really his former fiance, Maria Ladillya. When he finds out why Maria contacted him after all those years, Douglas must rely on his instinctsand fateas he is unwittingly pulled into an illegal, international operation that exposes lies, revenge, and cover-ups. In this espionage thriller, a broadcasting executive who is about to face loss like never before is consoled by a mysterious woman who encourages him to take a brave journey through his past, present, and future as he questions his true destiny.

Rabbinic hermeneutics in ancient Judaism reflects this multifaceted world of the text and of reality, seen as a world of reference worth commentary. As a mirror, it includes this world but perhaps also falsifies reality, adapting it to one's own aims and necessities. It consists of four parts: Part I, considered as introduction, is the description of the "Rabbinic Workshop" (Officina Rabbinica), the rabbinic world where the student plays a role and a reformation of a reformation always takes place, the world where the mirror was created and manufactured. Part II deals with the historical environment, the world of reference of rabbinic Judaism in Palestine and in the Hellenistic Diaspora (Reflecting Roman Religion); Part III focuses on magic and the sciences, as ancient (political and empirical) activities of influence in the double meaning of receiving and adopting something and of attempt to produce an effect on persons and objects (Performing the Craft of Sciences and Magic). Part IV addresses the rabbinic concern with texts (Reflecting on Languages and Texts) as the main area of "influence" of the rabbinic academy in a space between the texts of the past and the real world of the present.

Virgil's "Eclogues" represent the introduction of a new genre, pastoral, to Latin literature. Generic markers of pastoral in the "Eclogues" include not only the representation of the singing and speaking of shepherd characters, but also the learned density of the text itself. Here, Brian W. Breed examines the tension between representations of orality in Virgil's pastoral world and the intense textuality of his pastoral poetry. The book argues that separation between speakers and their language in the "Eclogues" is not merely pastoral preciosity. Rather, it shows how Virgil uses representations of orality as the point of comparison for measuring both the capacity and the limitations of the "Eclogues" as a written text that will be encountered by reading audiences. The importance of genre is considered both in terms of how pastoral might be defined for the particular literary-historical moment in which Virgil was writing and in light of the subsequent European pastoral tradition.

Throughout the recorded history of Britain, belief in earthbound spirits presiding over nature, the home and human destiny has been a feature of successive cultures. From the localised deities of Britannia to the Anglo-Saxons' elves and the fairies of late medieval England, Britain's godlings have populated a shadowy, secretive realm of ritual and belief running parallel to authorised religion. Twilight of the Godlings delves deep into the elusive history of these supernatural beings, tracing their evolution from the pre-Roman Iron Age to the end of the Middle Ages. Arguing that accreted cultural assumptions must be cast aside in order to understand the godlings – including the cherished idea that these folkloric creatures are the decayed remnants of pagan gods and goddesses – this bold, revisionist book traces Britain's 'small gods' to a popular religiosity influenced by classical learning. It offers an exciting new way of grasping the island's most mysterious mythical inhabitants.