American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour, varying from grey to purple: the massiveness of the great nave and transepts contrasts impressively with the gradual tapering of the spire, rising so high above turret and clerestory that it at last becomes a mere line against the ether. In morning, as in afternoon, or in evening, here is a perpetual atmosphere of rest; and not around the great church alone, but in the quaint and ancient houses which fence in the Close. Little less old than the mighty mass of stone on which their ivy-framed windows look, these houses make the casual observer feel that here, if anywhere in the world, life must needs run smoothly. Under those high gables, behind those mullioned windows, in the beautiful old gardens lying between the stone porches and the elm-shadowed lawn, nothing, one would think, could possibly exist but leisured and pleasant existence: even the busy streets of the old city, outside the crumbling gateway, seem, for the moment, far off....

"Did you see who flung the man?" asked Bryce. "No; I saw a hand -- just for one second, as it might be -- by the edge of the doorway."

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Paradise is a piece of land near a thirteenth-century Cathedral in England and a quiet small town nearby is a hotbed of local gossip. Mark Ransford is a local doctor and a guardian of Mary and Dick Bewery. His assistant Pemberton Bryce is in love with Mary, but Dr. Ransford doesn't approve it. One day, after a visit to the doctor's house, a certain man finds death as he falls from the Cathedral. Bryce is convinced that Dr. Ransford is involved in the death and starts an investigation. Joseph Smith Fletcher (1863-1933) was an English author and journalist, one of the leading writers of detective fiction in the Golden Age. After his journalist career Fletcher first started writing poems, then historical fiction, and finally moved on to write detective mysteries.

Do you have a communication issue? That is, you know what to do to be successful, but you just don’t want to do it? If language is the problem, it is also the solution. The Code of Opposites (TCO) introduces an idea whose time has come: a newly revealed metalanguage to feel the resistance, choose peace, and emPower the NOW. Language is where your Power is. To transform, you must look at the story you tell. Activating a metalanguage – a language beyond all languages – allows you to track patterns, understand the purpose of your self-limiting creations, and be able to turn them off. Cracking this code reveals depths of meaning that animate the soul of all wisdom teachings. The codes are so awesome they naturally raise your vibrational field to the sense of enough by which to resonate with oneness. Radical? Crazy? You betcha! Especially as this ancient language that came back from the future renamed itself “S/Hebrew,” to sanctify the union of the feminine and the masculine. Imagine yourself… * Processing trauma by realizing that mysticism may just be the only proven track to healing. * Having a unifying equation to explore the shadow, and stretch beyond fear into the sacred. * Doing what it takes to raise your self-esteem, and trust yourself in your chosen calling. * Moving out of “ScareCity” by being real enough to know what you want, and ask for it in such a way that you might receive it.

Book 2 of The Code of Opposites (TCO for short) furthers the mission to heal our power issues, and thus shift from the ego’s need to dominate into the adoption of wholesome power. While Book 1 focuses on “no push-pull,” Book 2 looks at “no self-doubt.” Imagine experiencing 100% faith and having total certainty that you can [fill in the blank]… Would that be a valuable change? Yes, but how? Language is where your Power is. To transform, you must look at the story you tell. Activating a metalanguage – a language beyond all languages – allows you to track patterns, understand the purpose of your self-limiting creations, and be able to turn them off. Cracking this code reveals depths of meaning that animate the soul of all wisdom teachings. The codes are so awesome they naturally raise your vibrational field to the sense of enough by which to resonate with oneness. Radical? Crazy? You betcha! Especially as this ancient language that came back from the future renamed itself “S/Hebrew,” to sanctify the union of the feminine and the masculine. Imagine yourself… * Processing trauma by realizing that mysticism may just be the only proven track to healing. * Having a unifying equation to explore the shadow, and stretch beyond fear into the sacred. * Doing what it takes to raise your self-esteem, and trust yourself in your chosen calling. * Moving out of “ScareCity” by being real enough to know what you want, and ask for it in such a way that you might receive it.