James Avati (1912-2005) is regarded as the pre-eminent painter of paperback covers in the second half of the 20th century. He was known in the business as the 'King of the Paperbacks'. Avati designed realistic cover illustrations for novels by the likes of Steinbeck, Faulkner, Salinger, Caldwell and Moravia, covers that appealed directly to broad sections of the population. He worked for the New American Library (Signet Books) and for every other major paperback publisher including Bantam, Avon, Pocket, Fawcett and Dell. In this lavishly illustrated book graphic designer Piet Schreuders reconstructs Avati's life and 40-year career. During the past 25 years most of Avati's original paintings have been salvaged from the warehouses of American publishers and now fetch many thousands of dollars among collectors. Here, for the first time, Avati's universally admired work is available in full-size quality reproductions and expertly described.This is a paperback volumn with sewn signatures

Award-winning artist Whelan has illustrated the work of almost every major author in speculative fiction. Here are featured all the artist's major recent paintings, as well as a series of 25 never-before-seen works produced especially for this book. Over 100 full-color reproductions.

Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).

This 8 x 8 inch 96 page hardcover book was published in an edi-tion of 1,000 copies; 500 for United States distribution and 500 for European distribution. It is a joint Donald M. Grant, Imbroglio and Allen Spiegel Fine Arts publication which pre-miered at Phil's Gallery Show opening at Jonathan Levine's Gallery in New York City on February 21, 2015 and contains all 15 paintings exhibited as well as pencil drawings, an introduction by Michiko Oki and a conversation with Justin Mortimer.

Phil Hale and Rick Berry met in 1980. Hale was sixteen and Berry twenty-seven. After founding the Newbury Studio (along with Tom Canty and Rick Salvucci) in Boston, they went on to illustrate the work of people who make up a veritable Who's Who of three major literary genres: William Gibson, Stephen King, Robert E. Howard, Frank Herbert, Peter Straub and the list goes on...Going well beyond the roles of illustrators, they are considered innovators and artistic pioneers -- Berry produced the first digital cover paintings (W. Gibson's Neuromancer, as seen in Time Magazine, 8 Feb. 1993) for trade fiction in the world. Hale's superb brush work garnered him so much attention, by age eighteen he was a pro in demand. Soon he was tapped for King's Drawing of the Three. Among their numerous awards is the 1989 World Con Best of Show for Dry Science by Berry. Berry's design and painting for Straub's Mrs. God was considered by Communication Arts as one of the year's best illustrated books. CA plus the Society of Illustrators annuals and Print magazine have published their works for music, literary and pop culture. Both have also contributed extensively to gaming cards and comic books.It is remarkable ... that somehow out of the discontinuities of the unexpected universe two of the most creative artists and best draftsmen I've ever seen should met at the right time. -- Jeff Jones

Unrepentant, unapologetic, unbridled and under-appreciated, genre art from the first half of the 20th century reflected subconscious urges of a economically deprived and sexually depressed generation. This popular art set the stage for the advertised expression of today's more liberated consumer culture. Shameless Art explores the influential work of imaginative illustrators who helped create the visual language for everything from today's comic books, magazine and television advertising, as well as imaginative movies like Avatar and sensual films like Y Tu Mama Tambien. Featuring stunning art by such genre masters as Tom Lovell, Virgil Finlay, Hannes Bok, Margaret Brundage, and Enoch Bolles, this beautifully produced full color collection mirrors mid-20th century masculine fantasies.