When forced to choose between staying with her guardian and being with her big brother, Ari chose her big brother. There’s just one problem—Gage doesn’t actually have a place to live. When Ari’s mother died four years ago, she had two final wishes: that Ari and her older brother, Gage, would stay together always, and that Ari would go to Carter, the middle school for gifted students. So when nineteen-year-old Gage decides he can no longer live with their bossy guardian, Janna, Ari knows she has to go with him. But it’s been two months, and Gage still hasn’t found them an apartment. He and Ari have been “couch surfing,” staying with Gage’s friend in a tiny apartment, crashing with Gage’s girlfriend and two roommates, and if necessary, sneaking into a juvenile shelter to escape the cold Maine nights. But all of this jumping around makes it hard for Ari to keep up with her schoolwork, never mind her friendships, and getting into Carter starts to seem impossible. Will Ari be forced to break one of her promises to Mama? Told in an open, authentic voice, this nuanced story of hiding in plain sight may have readers thinking about homelessness in a whole new way.

"When Ruth is kidnapped, she's determined not to become this serial-killer's next trophy. After she's able to escape, her captor begins stalking her through the wilderness"--

A James Patterson Presents Novel From the #1 New York Times and USA Today bestselling author of the Stalking Jack the Ripper series comes a new blockbuster series... Two sisters.One brutal murder. A quest for vengeance that will unleash Hell itself... And an intoxicating romance. Emilia and her twin sister Vittoria are streghe -- witches who live secretly among humans, avoiding notice and persecution. One night, Vittoria misses dinner service at the family's renowned Sicilian restaurant. Emilia soon finds the body of her beloved twin...desecrated beyond belief. Devastated, Emilia sets out to find her sister's killer and to seek vengeance at any cost-even if it means using dark magic that's been long forbidden. Then Emilia meets Wrath, one of the Wicked-princes of Hell she has been warned against in tales since she was a child. Wrath claims to be on Emilia's side, tasked by his master with solving the series of women's murders on the island. But when it comes to the Wicked, nothing is as it seems...

Origami Majestic Castle opens the Origami Land Series by the Oriland authors and shows you how to build your own magnificent Origami Castle of Oriland style! For more info and images on this book, visit http: //www.oriland.com/store/books/origami_majestic_castle/main.php Become an origami architect and build your own Paper Kingdom with this majestic Castle as a centerpiece! Originally designed by Yuri and Katrin Shumakov in far 1997, this Castle is the main attraction of Oriville Kingdom of their Oriland exhibition. The Castle consists of 23 elements: bases, stands, walls, roofs, towers, lanterns, different accessories and more, and requires 382 separate pieces to be folded. It is a big enterprise for those with some experience in origami and the experts alike, so that the process and result will be very satisfying! On 90 full color pages, there are about 500 detailed step-by-step colorful vector diagrams with written instructions along with photos of the completed design that will guide you through folding all the elements of the Castle and the assembly process. The 'Paper Preparation' section offers recommendations on paper type, colors and size including indication of the size of the completed model. In general, the Castle is a complex design as it is a large-scale undertaking requiring much patience and time, however only a few elements are intermediate-complex level of folding and all other elements are simple and intermediate. No any glue, just clever paper engineering! Building this Castle is a lot of fun and you can do it with your friends and family! We hope you will enjoy this book, creating the Origami Majestic Castle and building your own Paper Kingdom! Happy folding!

When the exhausted winter wind throws a snowy tantrum, it finds comfort in the friendship of two young children in this lyrical retelling of a Yiddish folktale illustrated with stunning collage. Winter Wind worked hard all season long blowing away leaves, preparing trees for coats of snow and ice. Now, Wind is tired and needs a place to rest. But no one wants to shelter so cold and blustery a Wind--not the townspeople, not the country innkeeper, not even the gnarled tree who is worried about frozen roots. Finally, Wind does what any of us do when we are overtired: Wind has a tantrum. And it is only with the help of two small children brave enough to weather the storm that Wind finally finds the perfect place to sleep. Based on a Yiddish folktale, the gentle language of this seasonal story is coupled with intricate cut-paper collage dioramas tell this sweet tale about empathy and friendship. The visuals in this book are striking for their vibrancy, palette, and movement. A perfect read for a cold, blustery day, or at bedtime with your own sleepy loved ones. A Bank Street Best Book of the Year

Princess Elizabeth is beautiful and rich and about to marry Prince Ronald. That is, until a dragon destroys her castle, burns all her clothes and carries off her prince But Elizabeth's not easily beaten and sets off to get Ronald back.

In a tour-de-force reinterpretation of the Christian tradition, Agamben shows that the Garden of Eden has always served as a symbol for humanity's true nature. What happened to paradise after Adam and Eve were expelled? The question may sound like a theological quibble, or even a joke, but in The Kingdom and the Garden, Giorgio Agamben uses it as a starting point for an investigation of human nature and the prospects for political transformation. In a tour-de-force reinterpretation of the Christian tradition, Agamben shows that the Garden of Eden has always served as a symbol of humanity's true nature. Where earlier theologians viewed the expulsion as temporary, Augustine's doctrine of original sin makes it permanent, reimagining humanity as the paradoxical creature that has been completely alienated from its own nature. From this perspective, there can be no return to paradise, only the hope for the messianic kingdom. Yet there have always been thinkers who rebelled against this idea, and Agamben highlights two major examples. The first is the early medieval philosopher John Scotus Eriugena, who argued for a radical unity of humanity with all living things. The second is Dante, whose vision of the earthly paradise points towards the possibility of genuine human happiness in this world. In place of the messianic kingdom, which has provided the model for modern revolutionary movements, Agamben contends that we should place our hopes for political change in a return to our origins, by reclaiming the earthly paradise.