The first survey of the Pan-African movement this century, this book provides a history of the individuals and organisations that have sought the unity of all those of African origin as the basis for advancement and liberation. Initially an idea and movement that took root among the African Diaspora, in more recent times Pan-Africanism has been embodied in the African Union, the organisation of African states which includes the entire African Diaspora as its 'sixth region'. Hakim Adi covers many of the key political figures of the 20th century, including Du Bois, Garvey, Malcolm X, Nkrumah and Gaddafi, as well as Pan-African culture expression from Négritude to the wearing of the Afro hair style and the music of Bob Marley.

Walters (political science, Howard U.) uses the tools of comparative politics for examining similar Black and white social institutions and organizations in the US and other countries and for creating a "tailored" Pan African perspective as a criteria with which to describe the interactive relationships between the American Black community and Blacks in Britain, South Africa, Brazil, and the Caribbean. Annotation copyright by Book News, Inc., Portland, OR

Contains papers from the 7th Pan African Congress held in Kampala, Uganda, in April 1994, the first of three volumes planned as output of the congress. Contributors offer both analysis and practical solutions on how Africa can reclaim its history and confront the threat of recolonization in the form of IMF/World Bank policies and domination of African civil society by northern NGOs, dealing with issues such as the African woman, creating an African common market, and science and technology as a solution to underdevelopment. Annotation copyright by Book News, Inc., Portland, OR

Chronicles and examines the origins, development, directions, and leaders of Pan-Africanism and African nationalism in the nineteenth and twentieth centuries in Africa, America, and Europe

A Guyanese by birth and a Kenyan by citizenship, Ras Makonnen would still regard these two aspects of his life as accidents of history—his roots and destiny are in the continent of Africa. For the last half of the twentieth century, he has striven, along with the other major architects of pan-Africanism, to reconcile the forces that still divide the continent. This volume is a further contribution to that struggle. Makonnen’s analysis of the pan-African movement starts in the former British Guiana (Guyana) in the early twenties, warms up to the North American scene where, as a young man, he got increasingly more aware of the African and diasporic African person’s position in world history. He then describes his days in London and Manchester from the mid-thirties to the fifties; Accra (Ghana) until the fall of Kwame Nkrumah in 1966 and thereafter Nairobi (Kenya), where he worked and made his transition. Although the narrative is peppered with the most delightful character sketches of early African and other Black leaders, the author’s main concern is to interpret the quality of life amongst Black people at home and abroad. He does so by employing a wide historical perspective and by infusing into his study of particular pan-African actors his knowledge of the intellectual and political climate at large. He produces in the process a vivid participator’s commentary on whole areas that have been quite neglected in conventional studies of pan-Africanism. Black intergroup relations in North America and the African diaspora in the Caribbean; race relations in Britain; Black intellectuals and the white Left; Black expatriates and African socialism—these are just a few of the themes examined against a background of individual famous personalities as well as others not documented before. With an autobiographical thread that runs throughout, Makonnnen’s narrative is a uniquely diversified pan-African portrait.

The Routledge Handbook of Pan-Africanism provides an international, intersectional, and interdisciplinary overview of, and approach to, Pan-Africanism, making an invaluable contribution to the ongoing evolution of Pan-Africanism and demonstrating its continued significance in the 21st century. The handbook features expert introductions to, and critical explorations of, the most important historic and current subjects, theories, and controversies of Pan-Africanism and the evolution of black internationalism. Pan-Africanism is explored and critically engaged from different disciplinary points of view, emphasizing the multiplicity of perspectives and foregrounding an intersectional approach. The contributors provide erudite discussions of black internationalism, black feminism, African feminism, and queer Pan-Africanism alongside surveys of black nationalism, black consciousness, and Caribbean Pan-Africanism. Chapters on neo-colonialism, decolonization, and Africanization give way to chapters on African social movements, the African Union, and the African Renaissance. Pan-African aesthetics are probed via literature and music, illustrating the black internationalist impulse in myriad continental and diasporan artists’ work. Including 36 chapters by acclaimed established and emerging scholars, the handbook is organized into seven parts, each centered around a comprehensive theme: Intellectual origins, historical evolution, and radical politics of Pan-Africanism Pan-Africanist theories Pan-Africanism in the African diaspora Pan-Africanism in Africa Literary Pan-Africanism Musical Pan-Africanism The contemporary and continued relevance of Pan-Africanism in the 21st century The Routledge Handbook of Pan-Africanism is an indispensable source for scholars and students with research interests in continental and diasporan African history, sociology, politics, economics, and aesthetics. It will also be a very valuable resource for those working in interdisciplinary fields, such as African studies, African American studies, Caribbean studies, decolonial studies, postcolonial studies, women and gender studies, and queer studies.

This book recounts the life story of the pioneering Henry Sylvester Williams through original research, each chapter set in the social context of the times, providing insight not only into a remarkable man who has been heretofore virtually written out of history, but also into the African Diaspora in the UK a century ago.