From the Publisher: A Brief History of Pakistan attempts to answer these questions in a concise yet thorough account. By illuminating the nation's past, this book offers readers a detailed perspective of Pakistan today and enables them to consider soundly how the country, once a birthplace of civilization, might change in the future.

Conpiled For The Purpose Of Presenting To Readers A Brief Sketch Of Imposing Material Heritage Of Pakistan Prior To The Death Of Aurangzeb In 1707. Part I West Pakistan Has 16 Chapters. Part Ii East Pakistan Has 7 Chapters-Followed By Retrospect And Prospect. Appendices. Morethan 20 Plates. Around 19 Figures.

Describes and analyzes Pakistan's political, economic, social, and national security systems and institutions. Examines the interrelationships of those systems and the ways they are shaped by cultural factors. Contents: historical setting; the society and the environment; the economy (finance, labor, agriculture, industry); government and politics (constitutional and political inheritance, early political development, political dynamics); national security (evolving security dilemma, the armed services; internal security). Extensive bibliography. Glossary. Index.

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Recasting the history of African American literature, Shadow Archives brings to life a slew of newly discovered texts—including Claude McKay’s Amiable with Big Teeth—to tell the stories of black special collections and their struggle for institutional recognition. Jean-Christophe Cloutier offers revelatory readings of major African American writers, including McKay, Richard Wright, Ann Petry, and Ralph Ellison, and provides a nuanced view of how archival methodology, access, and the power dynamics of acquisitions shape literary history. Shadow Archives argues that the notion of the archive is crucial to our understanding of postwar African American literary history. Cloutier combines his own experiences as a researcher and archivist with a theoretically rich account of the archive to offer a pioneering study of the importance of African American authors’ archival practices and how these shaped their writing. Given the lack of institutions dedicated to the black experience, the novel became an alternative site of historical preservation, a means to ensure both individual legacy and group survival. Such archivism manifests in the work of these authors through evolving lifecycles where documents undergo repurposing, revision, insertion, falsification, transformation, and fictionalization, sometimes across decades. An innovative interdisciplinary consideration of literary papers, Shadow Archives proposes new ways for literary scholars to engage with the archive.

Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-garde, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.