Our ancestors who worshiped in the painted caves of Europe show their deep connection with the wisdom of the earth. Their way of life changes when the Aryan tribes force them io migrate to the New World.

In this second volume of the White Buffalo Woman Trilogy, Heyoka Merrifield transports us back to ancient Europe as a mythical tribe of hunter-gatherers is forced on an odyssey away from Gaia's land and into the New World. Painted Earth Temple reveals the rites and rituals of a culture of antiquity showing us that their traditions have never been more pertinent than in today's modern age. The Native American saga continues in Lying Down Mountain, the volume in the trilogy.

In this third volume of the White Buffalo Woman Trilogy, Heyoka Merrifield continues the story of White Buffalo Woman and her journey through the land of the Lying Down Mountain. Set in the home of the peaceful Hopi Nation and based on Hopi culture and mythology, Lying Down Mountain contains sacred wisdom of peace and spirituality that can bring tranquility to today's turbulent Mother Earth. The Native American saga begins with the first two volumes in the series, Eyes of Wisdom and Painted Earth Temple.

In this first volume of The White Buffalo Woman Trilogy, author Heyoka Merrifield celebrates the sacredness of nature and the return of a culture hidden by time. Eyes of Wisdom offers a deeply moving narration of life and ceremony on the plains that is richly interwoven with Native American and other mythic traditions. The author draws inspiration from the legend of White Buffalo Woman, his vision quests, and experiences in the Sun Dance lodge.

A study of a set of sixteenth-century wall paintings at the Gyapagpa Temple in Nako, a village in India’s Himachal Pradesh state. Sixteenth-century wall paintings in a Buddhist temple in the Tibetan cultural zone of northwest India are the focus of this innovative and richly illustrated study. Initially shaped by one set of religious beliefs, the paintings have since been reinterpreted and retraced by a later Buddhist community, subsumed within its religious framework and communal memory. Melissa Kerin traces the devotional, political, and artistic histories that have influenced the paintings’ production and reception over the centuries of their use. Her interdisciplinary approach combines art historical methods with inscriptional translation, ethnographic documentation, and theoretical inquiry to understand religious images in context. “A meticulous and discerning piece of scholarship, one that is skillful in employing multiple methods—visual, linguistic and ethnographic—to create a fuller picture of a region we knew little about. . . . [A] pleasure to read.” —Pika Ghosh, author of Making Kantha, Making Home: Women at Work in Colonial Bengal “Emphasizing the visual as primary evidence in the study of history, especially religious history, Kerin moves Buddhist art from the arena of museum displays, art markets, and aesthetics to the arena of dynamic interdisciplinary discourse, thus reaffirming the significance of in situ study. . . . Recommended.” —Choice “A forceful study on the specificity of Gyapagpa’s painting.” —South Asia Research/DESC> Indian art;south asian art;religious art;buddhist art;Indian history;south asian history;tibetan buddhism;buddhism;religion;indian buddhists;temple art;nako;gyapagpa;social history;political history;painting style;painting tradition ART019020 ART / Asian / Indian & South Asian ART035000 ART / Subjects & Themes / Religious HIS062000 HISTORY / Asia / South / India * REL007050 RELIGION / Buddhism / Tibetan 9780253010032 Patterns of War—World War II Larry H. Addington

This first comprehensive study of pre-Archaic Greek temple architecture combines architecture, society, and material culture.