This concise and engaging book presents a critical perspective on the correctional system and the process of incarceration in the United States. Fleury-Steiner and Longazel emphasize the magnitude of mass imprisonment in the United States, especially of people of color, not by objective statistics and trends, but by the voices and lived experiences of individuals who live their harsh conditions on a daily basis. This is an ideal book for courses in corrections, social problems, criminology, and prisoner re-entry.

This book describes mass imprisonment's impact upon crime, upon the minority communities most affected, upon social policy and, more broadly upon national culture.

"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."

This concise and engaging book presents a critical perspective on the correctional system and the process of incarceration in the United States. Fleury-Steiner and Longazel emphasize the magnitude of mass imprisonment in the United States, especially of people of color, not by objective statistics and trends, but by the voices and lived experiences of individuals who live their harsh conditions on a daily basis. This is an ideal book for courses in corrections, social problems, criminology, and prisoner re-entry.

What are the primary constituents of stress in prison, and how can it be ameliorated? The specific conditions that create stress -- from the initial loss of freedom, to overcrowding, victimization and riots -- are described and analyzed. The effects of prison on specific populations: women, minorities, adolescents, and parolees, are also researched. Recommendations for long-term policy are made for maximizing the environmental resources of the prison, and improving classification and treatment. `...highly recommended for all professional and academic libraries. It is suitable for both upper-division undergraduate and graduate students in the areas of stress, psychology, penology, sociology, and criminal justice.' -- Choi

A spatial view of punishment -- The urban model -- Small cities and mass incarceration -- Social services beyond the city : isolation and regional inequity -- Race and communities of pervasive incarceration -- Punishing places -- Beyond punishing places : a research and reform agenda -- Appendix : data and methodology.

America is the most punitive nation in the world, incarcerating more than 2.3 million people—or one in 136 of its residents. Against the backdrop of this unprecedented mass imprisonment, punishment permeates everyday life, carrying with it complex cultural meanings. In The Culture of Punishment, Michelle Brown goes beyond prison gates and into the routine and popular engagements of everyday life, showing that those of us most distanced from the practice of punishment tend to be particularly harsh in our judgments. The Culture of Punishment takes readers on a tour of the sites where culture and punishment meet—television shows, movies, prison tourism, and post 9/11 new war prisons—demonstrating that because incarceration affects people along distinct race and class lines, it is only a privileged group of citizens who are removed from the experience of incarceration. These penal spectators, who often sanction the infliction of pain from a distance, risk overlooking the reasons for democratic oversight of the project of punishment and, more broadly, justifications for the prohibition of pain.