This is the first complete book about the Babylonian Kabbalah, which many people are talking about on the Internet. Assyria in Northern Iraq is the home of Palace Art from the Courts of the Assyrian Empire, where the Tree of Life was routinely shown on walls, tended by winged genies. It represented the King and the Land. It is also arguably a spiritual map and the basis of the Jewish Kabbalah, which was developed later. Many authors have asserted that the Kabbalah came from Egypt but this book shows that its early roots lie in Assyrian Court Art. There are also fascinating parallels to Asiatic Shamanism. All points to Asia, not Africa, as the home of the archetypal Sacred Tree image. ,

From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.

Explores the conviction that paradise existed in a precise although unreachable earthly location. Delving into the writings of dozens of medieval and Renaissance thinkers, from Augustine to Dante, this title presents a study of the meaning of Original Sin and the human yearning for paradise.

Scholarly proposals are presented for the pre-biblical origin in Mesopotamian myths of the Garden of Eden story. Some Liberal PhD scholars (1854-2010) embracing an Anthropological viewpoint have proposed that the Hebrews have recast earlier motifs appearing in Mesopotamian myths. Eden's garden is understood to be a recast of the gods' city-gardens in the Sumerian Edin, the floodplain of Lower Mesopotamia. It is understood that the Hebrews in the book of Genesis are refuting the Mesopotamian account of why Man was created and his relationship with his Creators (the gods and goddesses). They deny that Man is a sinner and rebel because he was made in the image of gods and goddesses who were themselves sinners and rebels, who made man to be their agricultural slave to grow and harvest their food and feed it to them in temple sacrifices thereby ending the need of the gods to toil for their food in the city-gardens of Edin in ancient Sumer.

Both John the Baptist and Jesus said, Behold, the kingdom of heaven is at hand. Yet we know that heaven will only come when sin ends. Therefore, humankind needs to know which sin removed us from the first paradise Eden. In A Law from EdenSolving the Mystery of Original Sin, author Marilyn Taplin looks to the Bible to show that the true original sin is not pride or the seeking of knowledge about good and evil; rather, she shows that the true original sin is an act of sexual perversion. A misunderstanding of human sexuality has led to this morally wicked society, and biblical research shows how sexual acts originating in ancient pagan societies and now found in contemporary LGBT communities have distorted the way even those professing to be Christians view their own sexuality. Many believe that the world is moving in the wrong direction, and Jesus shows us how to reverse that direction and bring Eden to the earth once again. If those professing to be Christians learn the powerful truth about original sin and end this sexual act, then they will be able to help usher in the heaven on earth promised by God.

Several pre-biblical protagonists appearing in Mesopotamian myths are identified as being fused together and recast as the Garden of Eden's serpent.