Most studies of ancient New Testament manuscripts focus on individual readings and textual variants. This book, however, draws attention to, and attempts to advance, study of the textual and paratextual features of New Testament manuscripts. After defining paratext, the contributors discuss key manuscript characteristics, including headings, introductions, marginal comments, colophons, layout features such as margins, columns, spacing, and reading aids such as segmentation, paragraphos, ekthesis, coronis, and rubrication. The goal of this book is to explore how textual criticism goes beyond individual readings and includes studying the history of texts and their perceivable features.

This important new study looks at the intersection of Greek and Egyptian art forms in the funerary sphere of Roman Egypt. A discussion of artistic change, cultural identity, and religious belief foregrounds the detailed analysis of more than 150 objects and tombs, many of which are presented here for the first time. In addition to the information it provides about individual works of art, supported by catalogue entries, the study explores fundamental questions such as how artists combine the iconographies and representational forms of different visual traditions, and why two distinct visual traditions were employed in Roman Egypt.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.