A guide to places with literary association in Great Britain and Ireland.

Literary Tourism and the British Isles: History, Imagination, and the Politics of Place explores literary tourism’s role in shaping how locations in the British-Irish Isles have been seen, historicized, and valued. Within its chapters, contributors approach these topics from vantage points such as feminism, cultural studies, geographic and mobilities paradigms, rural studies, ecosystems, philosophy of history, dark tourism, and marketing analyses. They examine guidebooks and travelogues; oral history, pseudo-history, and absent history; and literature that spans Renaissance drama to contemporary popular writers such as Dan Brown, Diana Gabaldon, and J.K. Rowling. Places discussed in the collection include “the West;” Wordsworth Country and Brontë Country; Stowe and Scotland; the Globe Theatre and its environs; Limehouse, Rosslyn Chapel, and the imaginary locations of the Harry Potter series. Taken as a whole, this collection illuminates some of the ways by which “the British Isles” have been created by literary and historical narratives, and, in turn, will continue to be seen as places of cultural importance by visitors, guidebooks, and site sponsors alike.

William Somerset Maugham was one of the most popular and successful British writers of his time. From October 1897, when he completed his medical education at St. Thomas's Hospital in London, until his death in December 1965, Maugham wrote twenty novels, filled nine volumes with his short stories, wrote thirty-one plays, and published seven volumes of prose nonfiction. His writings reflect the tensions of the Boer War, World War I, and World War II; the lavishness of the highest levels of British and American society during the first six decades of the 20th century; the glamor of Hollywood, Paris, New York, San Francisco, and London; and the romance of China, Malaya, Borneo, and India. His popularity brought him prosperity. At a 1962 auction, 35 of his paintings sold for nearly $1.5 million; bequests in his will totaled $280,000; his royalties during the last ten years of his life averaged $50,000 per year; and his Riviera estate, purchased in 1927 for $48,000, sold for $730,000 in 1967. This reference book is a guide to Maugham's fascinating life and career. The volume begins with a brief discussion of the importance of Maugham's life and work, followed by a detailed chronology of important biographical and literary events. Through several hundred alphabetically arranged entries, the encyclopedia overviews Maugham's drama, fiction, and prose nonfiction; his family; the persons whom he knew and with whom he associated; the places where he lived and to which he journeyed, particularly the cities and villages that he inserted into his works; and the historical, cultural, social, and political issues that governed his life and career. Each entry closes with a brief bibliography, and the volume includes a selected bibliography of critical studies.

Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.

This original, witty, illustrated study offers the first analytical history of the rise and development of literary tourism in nineteenth-century Britain, associated with authors from Shakespeare, Gray, Keats, Burns and Scott, the Brontë sisters, and Thomas Hardy. Invaluable for the student of travel and literature of the nineteenth century.

Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Thomas Recchio focuses especially on how the text has been deployed to support ideas related to nation and national identity. Recchio maps Cranford's nineteenth-century reception in Britain and the United States through illustrated editions in England dating from 1864 and their subsequent re-publication in the United States, US school editions in the first two decades of the twentieth century, dramatic adaptations from 1899 to 2007, and Anglo-American literary criticism in the latter half of the twentieth century. Making extensive use of primary materials, Recchio considers Cranford within the context of the Victorian periodical press, contemporary reviews, theories of text and word relationships in illustrated books, community theater, and digital media. In addition to being a detailed publishing history that emphasizes the material forms of the book and its adaptations, Recchio's book is a narrative of Cranford's evolution from an auto-ethnography of a receding mid-Victorian English way of life to a novel that was deployed as a maternal model to define an American sensibility for early twentieth-century Mediterranean and Eastern European immigrants. While focusing on one novel, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglo-centric cultural project, to resist the emergence of multicultural societies, and to ensure an unchanging notion of a stable English culture on both sides of the Atlantic.