The Oxford India Illustrated Children's Tagore is an illustrated selection of poems and short stories for children from a previously published book from the Tagore Translations series, Selected Writings for Children. It is a treasure trove of funny, colourful writing with numerous illustrations - doodles, sketches, and paintings.

From presenting, in Elwin's own words, the account of his going to work among the tribal peoples of central India, to affording glimpses of his seminal work on the unique institution of the ghotul among the Murias of Bastar, or relating Elwin's attempts at understanding the high incidence of murder and suicide among the Bison-horn Marias of Bastar, The Oxford India Elwin looks beyond the general and the oft-repeated to include within its covers the many fascinating discoveries that Verrier Elwin made while working among the different tribal communities in India. While the Introduction to Folk Songs of the Maikal Hills discusses the principles of translating folk poetry, the importance of the elements of nature, magic, the supernatural, and song and dance in tribal life is highlighted through selections from The Myths of Middle India. Whether providing glimpses of Elwin's travels in the remote Northeast, or discussing the effects of 'civilization' on tribal art, or describing the Naga people and their customs, or presenting the myths of the NEFA region, the effort is to bring the man, his thoughts and actions, the contributions he made towards upholding and preserving the cultural diversity of the Subcontinent, closer to readers through a single volume which will be both accessible and affordable. The book will be a valuable addition to the Oxford India Collection which includes the writings of Ghalib, Premchand, Ramanujan, Nehru, and Gandhi. Armed with a useful and perceptive Introduction by G.N. Devy, this edition will appeal to all those who know and adore Elwin, as also students and researchers of anthropology, cultural studies, and Indian history.

Rabindranath Tagore, Nobel laureate, one of the greatest figures in world literature Focus on nationalism and education, themes of topical relevance Includes critical introduction and select bibliography Fits in with our clutch of books on Tagore

Part of 'The Oxford Tagore Translations' series, a prestigious project undertaken by Oxford University Press in collaboration with Visva-Bharati, the four volumes comprising the set present a rich selection of Rabindranath Tagore's poems, essays, short stories, and writings for children. Selected Poems includes 150 poems, which cover the entire span of Tagore's life and illustrate his work in many significant genres and forms. They offer a representative range of Tagore's output in the field of poetry, which was the primary marker of his identity. Selected Writings on Literature and Language includes essays that engage with the central issues of criticism, literary theory, and aesthetics. Selected Short Stories presents a selection of writings from Tagore's vast corpus of short stories that weave together myths, fairy tales, and modern day fables. Selected Writings for Children presents a delightful selection of Tagore's nonsense poetry, short plays and sketches, short stories, chatty tales, and the fantastic world of 'That Man'-which draw on emotions ranging from the comic to the tragic. Each of the four volumes comes with a detailed introduction and extensive notes.

For children.

This book foregrounds the subjectivity of ‘acting women’ amidst violent debates on femininity and education, livelihood and labour, sexuality and marriage. It looks at the emergence of the stage actress as an artist and an ideological construct at critical phases of performance practice in British India. The focus here is on Calcutta, considered the ‘second city of the Empire’ and a nodal point in global trade circuits. Each chapter offers new ways of conceptualising the actress as a professional, a colonial subject, simultaneously the other and the model of the ‘new woman’. An underlying motif is the playing out of the idea of spiritual salvation, redemption and modernity. Analysing the dynamics behind stagecraft and spectacle, the study highlights the politics of demarcation and exclusion of social roles. It presents rich archival work from diverse sources, many translated for the first time. This book makes a distinctive contribution in intertwining performance studies with literary history and art practices within a cross-cultural framework. Interdisciplinary and innovative, it will appeal to scholars and researchers in South Asian theatre and performance studies, history and gender studies.