The `Fiction` volume includes both short stories and extracts from novels and novellas. Beginning with Muhammad Hadi Ruswa (1857-1931), it moves on to Premchand, Ghulam Abbas, Krishan Chander, Rajender singh Bedi, Intizar Husain, Qurratulain Hyder, Abdullah Hussein, and Naiyer Masud among others, and finally, Syed Muhammad Ashraf.

The poetry section in the `Poetry and Prose Miscellany` volume begins with akbar Illahabadi (1846-1921), feature such celebrated practitioners of the genre as Muhmmad Iqbal, Firaq Gorakhpuri, Faiz Ahmad Faiz, Munibur Rehman, and Akhlaq Muhammad Khan Shahryar among others, and finally Tanveer Anjum. Prose Miscellany - essays and sketches, autobiography, drama, humour and satire, and letters - feature such past masters as Abdul Kalam Azad, Shahid Ahmad Delhvi, Saadat Hasan Manto, and Ismat Chughtai, and also includes an interesting selection of anecdotes about well known literary personages like Ghalib, Mir Insha ullah Khan Insha, Josh Malihabadi, and others - something that rarely receives the deserved imoportance in canonical literature.

"Complete with brief biographical and critical introductions to each poet, this is the definitive anthology of modern Indian poetry in English"--Publisher.

This book interrogates representations – fiction, literary motifs and narratives – of the Partition of India. Delving into the writings of Khushwant Singh, Balachandra Rajan, Attia Hosain, Abdullah Hussein, Rahi Masoom Raza and Anita Desai, among many others, it highlights the modes of ‘fictive’ testimony that sought to articulate the inarticulate – the experiences of trauma and violence, of loss and longing, and of diaspora and displacement. The author discusses representational techniques and formal innovations in writing across three generations of twentieth-century writers in India and Pakistan, invoking theoretical debates on history, memory, witnessing and trauma. With a new afterword, the second edition of this volume draws attention to recent developments in Partition studies and sheds new light as regards ongoing debates about an event that still casts a shadow on contemporary South Asian society and culture. A key text, this is essential reading for scholars, researchers and students of literary criticism, South Asian studies, cultural studies and modern history.

This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.

Have you ever been enchanted by the spoken cadence of an Urdu couplet but wished you could fully understand its nuances? Have you wanted to engage with a ghazal more deeply but were daunted by its mystifying conventions? Are you confused between a qataa and a rubaai, or a musadda and a marsiya? In Urdu Poetry, Raza Mir offers a fresh, quirky and accessible entry point for neophytes seeking to enhance their enjoyment of this vibrant canon—from the poems of legends like Mir Taqi Mir and Mirza Ghalib to the lyrics of contemporary game changers like Javed Akhtar and Gulzar. Raza Mir’s translation not only draws out the zest and pathos of these timeless verses, but also provides pithy insights and colourful trivia that will enable readers to fully embrace this world.