An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.

The Oxford Encyclopedia of Theatre and Performance provides comprehensive, authoritative, and up-to-date information about the performing arts internationally, through history, and in the present. The 4,300 entries, totalling well over a million words, are complemented by more than 100 illustrations. Coverage ranges from ancient Greek theatre to the latest developments around the globe, including non-Western styles. Dance, opera, performance art, radio,film, and television are covered at length. The Encyclopedia also embraces para-theatrical, non-dramatic, and popular performance, including ritual, carnivals, parades, the circus, and public executions. Biographical entries cover the lives and work of major figures: actors, playwrights, directors,designers, and critics. Innovative entries on cities and regions place performance in its local social and political context. Thematic contents, timeline, a general bibliography, and an index of dramatic works help make the text accessible. This is an unparalleled resource for a wide range of readers interested in the performing arts, from academic specialists and students to theatre practitioners, critics, journalists, and general readers interested in the theatre.

[V.1.] A-K -- [v.2.] L-Z.

This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.

Most studies of the performance of Shakespeare's work concentrate on how the text has been played and what meanings have been conveyed through acting and interpretive directing. Dennis Kennedy demonstrates that much of audience response is determined by the visual representation, which is normally more immediate and direct than the aural conveyance of a text. Ranging widely over productions in Britain, Europe, Japan and North America, Kennedy gives a thorough account of the main scenographic movements of the century, investigating how the visual relates to Shakespeare on the stage. The second edition of this acclaimed history includes a new chapter on Shakespeare performance in the 1990s, bringing the story up to date by drawing on examples from a wide international field. There are more than twenty new illustrations, some of them in colour (bringing the total number of illustrations to almost 200), and previous references have been updated.

The Art of Theater argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater