Presenting the most up-to-date coverage on our knowledge of this society, The Oxford Encyclopedia of Mesoamerican Cultures is the first comprehensive and comparative reference source to chronicle Pre-Hispanic, Colonial, and modern Mesoamerica.Written for a wide audience, it is an invaluable reference for interested lay persons, students, teachers, and scholars in such fields as art, archaeology, religious studies, anthropology, Latin American culture, and the history of the region. Organized alphabetically, the articles range from500-word biographies to 7,000-word entries on geography and history to the legacy of the arts, writings, architecture, and religious rituals.An extensive network of cross-references, blind entries, and annotated bibliographies guide the reader to related entries within the Encyclopedia and provide the groundwork for further research.

Presenting the most up-to-date coverage on our knowledge of this society, The Oxford Encyclopedia of Mesoamerican Cultures is the first comprehensive and comparative reference source to chronicle Pre-Hispanic, Colonial, and modern Mesoamerica. Written for a wide audience, it is an invaluable reference for interested lay persons, students, teachers, and scholars in such fields as art, archaeology, religious studies, anthropology, Latin American culture, and the history of the region. Organized alphabetically, the articles range from 500-word biographies to 7,000-word entries on geography and history to the legacy of the arts, writings, architecture, and religious rituals. An extensive network of cross-references, blind entries, and annotated bibliographies guide the reader to related entries within the Encyclopedia and provide the groundwork for further research.

Presenting the most up-to-date coverage on our knowledge of this society, The Oxford Encyclopedia of Mesoamerican Cultures is the first comprehensive and comparative reference source to chronicle Pre-Hispanic, Colonial, and modern Mesoamerica.Written for a wide audience, it is an invaluable reference for interested lay persons, students, teachers, and scholars in such fields as art, archaeology, religious studies, anthropology, Latin American culture, and the history of the region. Organized alphabetically, the articles range from500-word biographies to 7,000-word entries on geography and history to the legacy of the arts, writings, architecture, and religious rituals.An extensive network of cross-references, blind entries, and annotated bibliographies guide the reader to related entries within the Encyclopedia and provide the groundwork for further research.

The Oxford Encyclopedia of Mesoamerican Cultures is the first comprehensive reference source to chronicle Pre-Hispanic, colonial, and modern Mesoamerica, defined as the lands stretching from Mexico to the southern tip of Central America. With more than 600 articles, it is invaluable for those interested in the rich heritage of this land. Encompassing the great civilizations of the pre-Columbian era (including the Olmec, Aztec, and Maya peoples) up through the colonial and postcolonial periods, the Encyclopedia covers art, archaeology, religious studies, anthropology, history, and historiography of the region in fully cross-referenced, signed articles by the leading scholars in the discipline.

El Tajín, an ancient Mesoamerican capital in Veracruz, Mexico, has long been admired for its stunning pyramids and ballcourts decorated with extensive sculptural programs. Yet the city's singularity as the only center in the region with such a wealth of sculpture and fine architecture has hindered attempts to place it more firmly in the context of Mesoamerican history. In Lightning Gods and Feathered Serpents, Rex Koontz undertakes the first extensive treatment of El Tajín's iconography in over thirty years, allowing us to view its imagery in the broader Mesoamerican context of rising capitals and new elites during a period of fundamental historical transformations. Koontz focuses on three major architectural features—the Pyramid of the Niches/Central Plaza ensemble, the South Ballcourt, and the Mound of the Building Columns complex—and investigates the meanings of their sculpture and how these meanings would have been experienced by specific audiences. Koontz finds that the iconography of El Tajín reveals much about how motifs and elite rites growing out of the Classic period were transmitted to later Mesoamerican peoples as the cultures centered on Teotihuacan and the Maya became the myriad city-states of the Early Postclassic period. By reexamining the iconography of sculptures long in the record, as well as introducing important new monuments and contexts, Lightning Gods and Feathered Serpents clearly demonstrates El Tajín's numerous iconographic connections with other areas of Mesoamerica, while also exploring its roots in an indigenous Gulf lowlands culture whose outlines are only now emerging. At the same time, it begins to uncover a largely ignored regional artistic culture of which Tajín is the crowning achievement.