Villains have been celebrated in song and drama, poem and fiction since the Bible first recorded the exploits of Adam's descendants. John Mortimer is ideally placed, as an author and QC, to compile an anthology of the most infamous representatives, real and imagined, of the criminal world. Whether or not the Devil has all the best tunes, Milton's Satan has some very good lines, good enough, according to Marlowe and Goethe, to persuade a man to sell his soul. Not all villains are as anguished as Faust, however; Sherlock Holmes's arch-enemy Moriarty suffers no qualms of conscience in his determination to destroy the sleuth, and Iago, to name but one of Shakespeare's villains, shows no remorse against Othello. The reputation of some real-life villains is so great that they too have acquired legendary status: Dr. Crippen, Lizzie Borden, and Al Capone are among the murderers remembered here. Criminality takes many forms, from pickpocket and highwayman to pirate and con man. Here Jonathan Wild rubs shoulders with Mac the Knife, Captain Kidd with Captain Hook. Casanova, Don Juan, and Richardson's Lovelace have all mastered the pitiless art of seduction, while other villains betray their countries. Tyranny shows itself a brutal regime in the hands of Caligula and Nero, and more subtly oppressive within the family and schoolroom. Attractive scoundrels and incompetent rogues, calculating murderers and unscrupulous swindlers pack these pages with a richness and variety that will by turns delight, surprise, and chill the reader. John Mortimer shapes this villainous crew into a unique and absorbing collection.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

Bringing together the work of such writers as Edgar Allan Poe, Nathaniel Hawthorne, Arthur Conan Doyle, Eudora Welty, Thomas Hardy, William Faulkner, Isak Dinesen, and Joyce Carol Oates, The Oxford Book of Gothic Tales presents 37 sinister and unsettling tales for all lovers of ghost stories, fantasy, and horror.

Heroes, villains, victims, and minions are more important than ever before in our politics and culture. In the era of television, Twitter, and Facebook, groups and individuals constantly battle over their reputations. One of the best ways to gain power is to persuade others that you are competent, courageous, and benevolent, while your opponents are none of these. Thus, character work consists of more than simple claims of fact; societies build their solidarity and policies out of admiration for heroes but also outrage over villains. Recent political analysis has ignored the great characters of the past in favor of frames, heuristics, codes, and identities. In Public Characters, James M. Jasper, Michael P. Young, and Elke Zuern argue that character, reputation, and images matter in politics, and social life more generally, as they help mobilize people and their passions. First, they focus on the political construction of openly constructed and debated public characters to show how we can allocate praise and blame, identify social problems, cement identities and allegiances, develop policies, and articulate our moral intuitions through them. The authors demonstrate the nuances of characters and their interactions across a range of sources-including Shakespeare, Game of Thrones, Renaissance sculpture, modern comic books, Alexander the Great, and Bernie Madoff-all the while showing how public characters are used in political rhetoric. Finally, they complicate these characters by considering their transformations: when victims manage to become heroes and the way traditional moral characters have evolved over time to correspond with what different cultures admire, detest, or pity. This rich, detailed, and wide-ranging analysis of personal images and reputation marks a timely and crucial contribution for sociologists and political scientists concerned with the cultural dimensions of political life.

In the history of warfare, an elite group of men have attained almost legendary status through their courage, ambition and unrivalled military genius. But many of these same men possessed deep personal character flaws. In Heroes & Villains, acclaimed historian Frank McLynn focuses on six of the most powerful and magnetic leaders of all time: Spartacus, Attila the Hun, Richard the Lionheart, Cortés, Tokugawa Ieyasu and Napoleon. How did these mortal men rise to positions of seemingly invincible power? What were the motives, the personal strengths and often weaknesses that drove them to achieve what no one else dared? In six powerful portraits, McLynn brilliantly evokes the critical moments when each of these warriors proved themselves in battle, changing their own lives, the destiny of their people and, in some cases, the history of the world. We discover what drove Spartacus to take on the might of Rome against seemingly impossible odds, and how the young Napoleon rose to power in dramatic fashion at the Siege of Toulon. Heroes & Villains is more than a collection of individual biographies. By examining the complex psychologies of these extraordinary men, McLynn builds up a convincing profile of the ultimate warrior. Accompanying a major BBC television series, this brilliant book takes us into the minds of the greatest warriors in history.

In this cluster, Tiger enters his remote control aeroplane in for a competition - find out if he manages to beat the bully, Lucy, in Air Scare. In Heroine in Hiding read the story of Dani Day and how she tries to warn the children about the evil Dr X. Join special agent Jake Jones as he triesto stop Vlad the Bad from taking all the things that start with the letter V in Jake Jones v Vlad the Bad. Also, find out more about fictional villains and perceived heroes and villains in the two non fiction books, Dr X's Top Ten Villains and Heroes or Villains?Each book comes with notes for parents that highlight tricky words or concepts in the books, prompt questions and suggest a range of follow-up activities. The Heroes and Villains Guided Reading Notes provide step-by-step guided reading support for each book in the Heroes and Villains cluster,together with guidance about comprehension, assessment for learning and vocabulary enrichment. Hands-on follow-up activities and cross-curricular links are also provided for each book.

This study argues that Dickens' villains embody the crucial fusion between the deviant and theatrical aspects of his writing.