Since 1995, I set out as an artist to create characters who were hideous, strange and did not fit within the normal boundaries of a modern society. The Circus Freaks, my 1st creations, are such examples of de-humanizing humans, placing them in a world where they are not accepted by the majority and must push their way uphill to gain power. After 15 years of creating many people, places and things based on the real world, publishing books, including this one, I came to an epiphany. Who you are in relation to someone else depends not on skin color, age, religion, sexual preference, language, biology, country or planet. These short stories contain individual lives of those you are familiar with in one social category or another as opposed to those of your neighbor, family member, significant partner, your enemies, and those unlikely youve never met. In the end, a world, a galaxy of prosperity comes with the efforts of all who are related because they are unrelated and thats exactly what this book is about. --Maestro Drake

From the author of the global phenomenon Ranger's Apprentice! They are outcasts. Hal, Stig, and the others - they are the boys the others want no part of. Skandians, as any reader of Ranger's Apprentice could tell you, are known for their size and strength. Not these boys. Yet that doesn't mean they don't have skills. And courage - which they will need every ounce of to do battle at sea against the other bands, the Wolves and the Sharks, in the ultimate race. The icy waters make for a treacherous playing field . . . especially when not everyone thinks of it as playing. John Flanagan, author of the international phenomenon Ranger's Apprentice, creates a new cast of characters to populate his world of Skandians and Araluens, a world millions of young readers around the world have come to know and admire. Full of seafaring adventures and epic battles, Book 1 of The Brotherband Chronicles is sure to thrill readers of Ranger's Apprentice while enticing a whole new generation just now discovering the books. Perfect for fans of J.R.R. Tolkien’s Lord of the Rings, T.H. White’s The Sword in the Stone, Christopher Paolini’s Eragon series, and George R. R. Martin’s Game of Thrones/A Song of Ice and Fire series.

The only ones who can fix a broken world are those who have been broken by that world. A shadowy threat has emerged in a realm populated by serious wizards, pious elves, passionate humans, and hedonistic morphs. Several outcasts have been brought together-by fate or by design?-for what they believe to be an epic struggle against that shadowy threat. Yet if they are expecting a straightforward quest to slay some Dark Lord and bring peace to the world, the outcasts are disabused of that notion when a wise voice warns them, "It's not that kind of story." But what kind of story is it? Are these broken beings on an epic quest, or is someone guiding their mission under the aegis of a tired and traditional story? And is this "someone" benevolent or sinister? As the outcasts seek to mend their broken pasts, navigate the perils of love, and perhaps save the known world, we are left to wonder how much of the story is a lie and how much truth has been baked in to make the meal palatable. While "The Outcasts" pays homage to traditional fantasy archetypes, it also seeks to undermine most of them. In a story laced with ancient and medieval scenery, you will find yourself dizzy with the plot twists of this exciting debut fantasy novel. Book I, "The Lies of Autumn" introduces the half-Wizard Marcus and his dear friend Quintus, who find themselves unexpectedly in the company of enslaved Elf siblings Griffin and Gwendolyn, the disgraced Human soldier Octavia, and a Morph named Alexia who possesses abilities which have not been seen in 1,000 years or more. These disparate creatures must navigate love and jealousy, friendship and selfishness, as well as the unspeakable tragedies which haunt each one of their pasts in a quest to save an indifferent world. As Octavia notes, "It sounds like one of those epic tales of old, but it sure doesn't feel like one." Expect fantasy with a twist, as well as equal helpings of romance and action.

The thrilling prequel to the New York Times–bestselling Summoner series! When stable boy Arcturus accidentally summons a demon and becomes Hominum's first common summoner, he becomes the key to a secret that the powerful overlords would do anything to keep hidden. Whisked away to Vocans Academy so he can be kept watch over, Arcturus finds himself surrounded by enemies. But he has little time to settle in before his life is turned upside down once again, for Hominum Empire is in turmoil. Rebellious intent simmers among the masses, and it will not be long before it boils over. Arcturus must choose a side . . . or watch an Empire crumble. The Summoner Trilogy The Novice The Inquisition The Battlemage Also in the Summoner series The Outcast (Summoner: The Prequel) The Summoner’s Handbook (Fall 2018) A Fine Welcome: Othello’s Journey (A Summoner Short Story)

The long-awaited new novel by the two-time Newbery Medalist stars Margaret Rose Kane, Connor Kane's older half-sister in "Silent to the Bone," who tells the story of the summer she was 12 years old.

Continually occupied by its indigenous peoples, as well as a siren to waves of pioneers, the Northwest has long fostered a sense of isolation and opportunity. Alice Wheeler's subjects embody both. Internationally known for her photographs of Nirvana, Bikini Kill, and the punk-feminist bands of Riot Grrl, Wheeler is drawn to people and landscapes that possess unique strength and beauty. Hers are the lesser-seen realities of Seattle's history over the last three decades: not the incessant rain and coffeehouse earnestness represented in films and sitcoms, but the glory of the drag scene; the devastation of AIDS; the freedom of choice celebrated at Hempfest and protest rallies; brilliant sunsets and radiant clouds; and a music scene that for decades has captivated devotees internationally. This is her first monograph.

The village was asleep, with all the people behind the walls and through the windows and up the stairs of the little houses blind and deaf in their beds while anything might happen. Lewis headed down the middle of the road and he kept falling and had to remember to get back on his feet. He reached the churchyard and stood in the dark with the church even darker above him. –from The Outcast by Sadie Jones It’s 1957. Nineteen-year-old Lewis Aldridge is returning by train to his home in Waterford where he has just served a two-year prison term for a crime that shocked the sleepy Surrey community. Wearing a new suit, he carries money his father Gilbert sent — to keep him away, he suspects — and a straight razor. No one greets him at the station. Twelve years earlier, seven-year-old Lewis and his spirited mother Elizabeth are on the same train, bringing Gilbert home from war. Waterford is experiencing many such reunions, alcohol lubricating awkward homecomings and community gatherings. The most oppressive of these are the mandatory holiday parties hosted by the town’s leading industrialist Dicky Carmichael, Gilbert’s employer. With the Carmichael estate backing onto the Aldridge property, the attractive and popular Tamsin Carmichael and her precocious kid sister Kit are Lewis’s playmates, along with a gaggle of neighbourhood boys who (like Lewis) are fascinated by Tamsin. The children play thrilling and cruel games, mirroring the adults’ inebriated dysfunction. Though pleased to be reunited with Elizabeth, Gilbert is appalled by the coddling his son has received in his absence. No longer permitted to skip church for picnics by the river, Elizabeth and Lewis are steered back under the ever-judgmental gaze of Waterford society. Lewis continues to flourish, a naturally capable golden child. But iconoclastic Elizabeth, disappointed by Gilbert’s insistence on conformity, seeks refuge in the bottle. Then a sunny riverside picnic ends with Elizabeth dead and ten-year-old Lewis the only witness. A shattered Gilbert is incapable of providing comfort to his young son and the community of Waterford turns away from the traumatized child, now rendered a pariah by tragedy. Lewis is sent to boarding school, summoned home only for holidays. Gilbert remarries five months later to Alice, a compliant beauty who is not up to the task of parenting a damaged child. Years pass and Lewis, now a troubled teenager, is lost in dangerous and self-harming behaviours. When an incident with a local bully causes Lewis to be even further estranged from the community, Gilbert and Alice stand idly by as Lewis is tormented by the tyrannical Dicky. Enraged, Lewis commits a shocking crime against the whole of Waterford and is sent to prison. Two years later, upon his shamed return, the town continues to treat Lewis as an outcast. Only Tamsin’s little sister Kit, now a young woman, sees in him the golden boy he once was. She had become infatuated with Lewis years earlier when he had casually protected her from bullies and broken bicycle chains. But she now faces a much darker and more dangerous sort of bullying at the hands of her father. It is up to Lewis once again to rescue her, redeeming himself through tremendous courage and terrible sacrifice. And perhaps Kit holds the power to rescue him, too. Winner of the Costa First Novel Award and a finalist for the prestigious Orange Prize, Sadie Jones’s The Outcast introduces us to a clear and brave new voice in British fiction. The novel is a clarion call to us all, daring us to stand up to the bullies of our world, in whatever form they may take and — above all else — to love our children.