Empire of the Gazis: The Rise and Decline of the Ottoman Empire, 1280-1808 is the first book of the two-volume History of the Ottoman Empire and Modern Turkey. It describes how the Ottoman Turks, a small band of nomadic soldiers, managed to expand their dominions from a small principality in northwestern Anatolia on the borders of the Byzantine Empire into one of the great empires of fifteenth- and sixteenth-century Europe and Asia, extending from northern Hungary to southern Arabia and from the Crimea across North Africa almost to the Atlantic Ocean. The volume sweeps away the accumulated prejudices of centuries and describes the empire of the sultans as a living, changing society, dominated by the small multinational Ottoman ruling class led by the sultan, but with a scope of government so narrow that the subjects, Muslim and non-Muslim alike, were left to carry on their own lives, religions, and traditions with little outside interference.

In the wake of the fear that gripped Europe after the fall of Constantinople in 1453, English dramatists, like their continental counterparts, began representing the Ottoman Turks in plays inspired by historical events. The Ottoman milieu as a dramatic setting provided English audiences with a common experience of fascination and fear of the Other. The stereotyping of the Turks in these plays—revolving around complex themes such as tyranny, captivity, war, and conquests—arose from their perception of Islam. The Ottomans' failure in the second siege of Vienna in 1683 led to the reversal of trends in the representation of the Turks on stage. As the ascending strength of a web of European alliances began to check Ottoman expansion, what then began to dazzle the aesthetic imagination of eighteenth century England was the sultan's seraglio with images of extravaganza and decadence. In this book, Esin Akalin draws upon a selective range of seventeenth and eighteenth century plays to reach an understanding, both from a non-European perspective and Western standpoint, how one culture represents the other through discourse, historiography, and drama. The book explores a cluster of issues revolving around identity and difference in terms of history, ideology, and the politics of representation. In contextualizing political, cultural, and intellectual roots in the ideology of representing the Ottoman/Muslim as the West’s Other, the author tackles with the questions of how history serves literature and to what extent literature creates history.

The name "Ottoman" was coined from the chieftain (or "Bey") called Osman, who declared independence from the Seljuk Turks. This beautiful book takes you through the captivating rise and fall of the powerful Ottoman dynasty, from its origins to its inception as a world power that served as a turning point in the history of North Africa, Southeast Europe, the Middle East, and even the rest of the world.

This illustrated textbook covers the full history of the Ottoman Empire, from its genesis to its dissolution.

Presents a comprehensive A-to-Z reference to the empire that once encompassed large parts of the modern-day Middle East, North Africa, and southeastern Europe.