The latest psychological thriller from the internationally bestselling author of The Wrong Mother and The Cradle in the Grave It's past midnight, but Connie Bowskill can't sleep. To pass the time, she logs on to a real estate website in search of a particular house, one she is obsessed with for reasons she's too scared to even admit to herself. As she clicks through the virtual tour, she comes across a scene from a nightmare: a woman lying facedown on the living room floor in a pool of blood. But when she returns to show her husband, there is no body, no blood—just a perfectly ordinary room, with a perfectly clean beige carpet. The sixth book in Sophie Hannah’s beloved Zailer and Waterhouse series, The Other Woman’s House offers unforgettable suspense and a heart-stopping conclusion that Ruth Rendell and Tana French fans will love.

'Sophie Hannah is genuinely Christie's heir' The Scotsman An unnervingly good psychological thriller from bestselling crime writer Sophie Hannah, not to be missed for readers of Clare Mackintosh and Paula Hawkins. 'Jaw-droppingly assured' Daily Express 'A first-class whodunnit' Scotsman Don't go into the other woman's house . . . It's 1.15 a.m. Connie Bowskill should be asleep. Instead, she's logging on to a property website in search of a particular house: 11 Bentley Grove, Cambridge. She knows it's for sale; she saw the estate agent's board in the front garden less than six hours ago. Soon Connie is clicking on the 'Virtual Tour' button, keen to see the inside of 11 Bentley Grove and put her mind at rest once and for all. She finds herself looking at a scene from a nightmare: in the living room, in the middle of the carpet, there's a woman lying face down in a huge pool of blood. In shock, Connie wakes her husband Kit. But when Kit sits down at the computer to take a look, he sees no dead body, only a pristine beige carpet in a perfectly ordinary room . . . REAL READERS ADORE SOPHIE HANNAH'S BOOKS: 'Compulsive reading literally all through the night' ⭐⭐⭐⭐⭐ 'Couldn't put it down! Loved it, so many twists and turns!' ⭐⭐⭐⭐⭐ 'I thought I'd worked it out but I was nowhere near!!!' ⭐⭐⭐⭐⭐ 'I have lost sleep over this book as I couldn't bear to miss a word. I have one word for it: UNBEATABLE' 'Absolutely hooked right from the first chapter. I couldn't put it down, literally' ⭐⭐⭐⭐⭐ 'It just had to be 5 stars, more if I could' ⭐⭐⭐⭐⭐ 'I urge you to read, you will NOT be disappointed' ⭐⭐⭐⭐⭐

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships. Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

THE INSTANT NEW YORK TIMES BESTSELLER Named a most-anticipated summer book by USA Today, People, E! News, Cosmopolitan, PureWow, CNN.com, New York Post, CrimeReads, POPSUGAR, and more The bestselling author of Final Girls and Survive the Night is back with his “best plot twist yet.” (People, "Best Summer Books") Be careful what you watch for . . . Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous. One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage isn’t as perfect as it appears. When Katherine suddenly vanishes, Casey immediately suspects Tom of foul play. What she doesn’t realize is that there’s more to the story than meets the eye—and that shocking secrets can lurk beneath the most placid of surfaces. Packed with sharp characters, psychological suspense, and gasp-worthy plot twists, Riley Sager’s The House Across the Lake is the ultimate escapist read . . . no lake house required.

From the New York Times bestselling author of Falling and Sister Stardust comes a novel about marrying your dream man—and his mother. When Ellie meets Dan, she thinks she’s found the perfect man, complete with a loving, close-knit family. Having lost her own mother young, Ellie looks forward to gaining the mother she never had. But first signs of trouble appear when their intimate civil wedding ceremony is transformed into a full-fledged black-tie affair, and Ellie starts to wonder if Dan’s boundary-hating mother, Linda, might be a little too involved. As troubles between them mount, Ellie turns to her friends—glamorous Lisa and wonderful frazzled Trish—to help her recapture the independence she once had, and the man she still loves. But having her own child makes Ellie realize that the unconditional, sometimes overwhelming love of a mother is something that can’t—and shouldn’t—be ignored...

Based on original ethnographic research, this book demonstrates how the process unfolds in contemporary rural Haiti; how intensive work regimes make children necessary; how this necessity conditions sexual behavior, gender relations, and kinship; and why, despite massive contraceptive campaigns, birth rates in rural Haiti continue to be among the highest in the world. Timothy T. Schwartz offers a solution to a demographic paradox that some of the most prominent sociologists and demographers of the twentieth century noted but were never able to explain: among impoverished small farmers, when more men are absent due to male wage migration, the women remaining behind give birth to more, not fewer, babies. Book jacket.

The essays in this volume seek to explore the genre of the short story in India and its relationship with English language and literature. Various aspects of the question are taken up the impact of colonialism; the way English has shaped (or not) short story writing; why, how and in what contexts English words are used, feminist perspectives in the writings of women; the Indian diaspora; the teaching of the short story to Indian students and so on.