"[This] product of meticulous attention to historical detail plus a grasp of American history that enables the author to discern patterns from a mass of information . . . should permanently destroy the notion of the South as a 19th-century monolith."--Journal of American History "An important and insightful book on a neglected subject in American political and social history. It adds not only to our understanding of 'the other South,' but also contributes to our awareness of the other America which the 19th-century South represented."--Political Science Quarterly Carl Degler argues that if one is to understand who southerners were and are today, southern dissent of the 19th century must be understood and appreciated, since those years shaped southern ideas, customs, and values. The Other South highlights white men and women of the 19th century who challenged the domination of slavery in the region, objected to the disruption of the American Union, strove to change the politics and economy of the South during Reconstruction, and worked to displace the dominant Democratic party with the Populist party. While earlier studies suggest the presence of individual southern dissenters, Degler's work broadens the story to include a large number of hitherto unknown individuals and to illustrate not only the variety and complexity of southern dissent but also the broad patterns of dissent across the whole century. By linking and comparing these dissenting groups, Degler reveals underlying and important convictions among southern dissenters as well as the conflicts that beset white southerners who felt compelled to resist or deny the views of the majority. Drawing on extensive historical literature and a wealth of manuscript material, Degler shows the diversity of southern experience in the 19th century and explores who the dissenters were. He examines the grounds for their opposition and points to patterns of opinion far different from the long-held image of a monolithic Old South. Carl N. Degler is Margaret Byrne Professor of American History, emeritus, at Stanford University and past president of the Southern Historical Association and the American Historical Association. His publications include Place Over Time: The Continuity of Southern Distinctiveness and Neither Black Nor White: Slavery and Race Relations in Brazil and the United States.

A sixty-year history of Afro–South Asian musical collaborations From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.

"All but one of the stories are set in Alabama. They deal with dramatic turning points in the lives of people who happen to be southerners, many juxtaposed between Old South sensibility and manners and New South modernity and expectations. Among these characters is a new widow uncomforted by well-meaning, proselytizing Christians; a middle-aged waitress in love with the town "catch"; a bedridden belle dependent upon her black nurse; a "special" young man in a newspaper shop; a young faculty wife who attempts generosity with a lower-class neighbor; and a lawyer caught in the dilemma of race issues."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Hosam Aboul-Ela provides a startlingly original perspective on Faulkner, examining his work in the transnational context of the "Global South": the geopolitical and economic dynamics of the post-Reconstruction period that link the American South to the larger colonial tradition. Other South thus raises new questions as to the scope and attitude of Faulkner's project, positioning Faulkner's work as an inherent critique of colonialism and emphasizing a more specific conceptualization of coloniality.Engaging with ideas and thinkers from the former colonies, Aboul-Ela draws on an understanding of economics, social structures, and the colonial/neocolonial status of the Third World, stepping outside the preconceptions of current postcolonial studies to offer a fresh perspective on our shared literary heritage and a new look at an iconic literary figure.

Other Souths collects fifteen innovative essays that place issues of race, class, gender, ethnicity, and sexuality at the center of the narrative of southern history. Using a range of methodologies and approaches, contributing historians provide a fresh perspective to key events and move long-overlooked episodes into prominence. Pippa Holloway edited the volume using a chronological and event-driven framework with which many students and teachers will be familiar. The book covers well-recognized topics in American history: wars, reform efforts, social movements, and political milestones. Cultural topics are considered as well, including the development of consumer capitalism, the history of rock and roll, and the history of sport. The focus and organization of the essays underscore the value of southern history to the larger national narrative. Other Souths reveals the history of what may strike some as a surprisingly dynamic and nuanced region--a region better understood by paying closer and more careful attention to its diversity.

A baby is born with gills. Foxes raise and then lose a human child. A man, in the final throes of his deathbed fever-dream, experiences a cross-Antarctic voyage. The stories in Furthest South, the second story collection from renowned writer Ethan Rutherford, find characters in the most unexpectedly menacing of circumstances, in which their sanity, happiness, and safety are put to the test. Formally ambitious, with an eye toward the strange, with a inimitable style all Rutherford's own, each story is nonetheless firmly grounded by a deep, human concern: the anxiety of family connection and humanity.

On the Other Shore explores the social history of Italian communities in South America and the transnational networks in which they were situated during and after World War I. From 1915 to 1921 Italy's conflict against Austria-Hungary and its aftermath shook Italian immigrants and their children in the metropolitan areas of Buenos Aires, Montevideo, and São Paulo. The war led portions of these communities to mobilize resources--patriotic support, young men who could enlist in the Italian army, goods like wool from Argentina and limes from Brazil, and lots of money--to support Italy in the face of "total war." Yet other portions of these communities simultaneously organized a strident movement against the war, inspired especially by anarchism and revolutionary socialism. Both of these factions sought to extend their influence and ambitions into the immediate postwar period. On the Other Shore demonstrates patterns of social cohesion and division within the Italian communities of South America; reconstructs varying transatlantic and inter-American networks of interaction, exchange, and mobility in an "Italian Atlantic"; interrogates how authorities in Italy viewed their South American "colonies"; and uncovers ways that Italians in Latin America balanced and blended relationships and loyalties to their countries of residence and origin. On the Other Shore's position at the intersection of Latin American history, Atlantic history, and the histories of World War I and Italian immigration thereby engages with and informs each of these subject areas in distinctive ways.