Her parents' suicides. Disappointment. Shattered dreams. Chronic health problems. Depression. Grief. Loss. Author Maureen Longnecker knows firsthand the pain caused by these harshest of life's trials. In The Other Side of the Tapestry, Maureen recounts God's faithful love as she wrestled with the intense emotions and theological questions of her physical, mental, and spiritual journey. Offering no simple answers, Maureen weaves scriptural truths with personal experience that will encourage you to place your trust in the loving faithfulness of God, even when faced with agony and tragedy. "Maureen's story is more than a firsthand account of tragedy, trials, and turmoil. Immersed in Scripture, it is the story of a family's agonizing journey and God's unending faithfulness in life's darkest hours. Maureen reminds us that a broken heart is not healed by explanations-it's healed by God's love and the promises in His Word." -Jennifer Sands, author, speaker, and 9/11 widow

Jean Pierre Larochette is a renowned top-level artist, making this opportunity to learn from him a treasure for all levels of weavers.

Figured Tapestry is a study of industrial maturity and decline, focused on the Philadelphia textile trades from the era of the Knights of Labor through World War II. Unlike the bulk fabric enterprises of New England and the South, Quaker City textile firms were 'flexible specialists,' combining skilled labor, versatile technologies, and quick responsiveness to demand shifts to create a vast array of seasonal goods. Scranton assesses the significance and limits of industrial versatility, owner-operated businesses, craft labor and its organizations, and the agglomeration of specialist mills in urban districts. An interdisciplinary blend of business, labor, urban, and economic history, industrial geography, and the history of technology, Figured Tapestry illuminates the hidden world of batch production, the 'other side' of American industrialization, and highlights both the benefits and the hazards of flexibility, a matter of moment to those who seek to reorient current manufacturing away from the rigidities of mass production.

The Tapestry series continues to weave threads of fantasy, mythology, science fiction, and mystery into a wholly original adventure that appeals to fans of everything from Harry Potter to Lord of the Rings to The X-Men. Genre-blending and fully illustrated, The Tapestry novels have caught the attention of middle-grade and young adult readers alike—and the series is only getting bigger. Book One, The Hound of Rowan, was a boarding-school fantasy that School Library Journal called “a solid and worthwhile beginning . . . [that] should help ease the suffering once Harry Potter withdrawal sets in.” Book Two, The Second Siege, was an epic quest about which Kirkus Reviews said, “After devouring this title, young fans will clamor for more.” Book Three, The Fiend and the Forge, is an unforgettable dystopian adventure across a landscape overrun with goblins and trolls. The world has changed almost beyond recognition, for with the Book of Origins firmly in his possession, the villainous Astaroth now has the power to reshape history at will. Plucking pivotal discoveries from mankind’s past, he has reduced the world to a preindustrial nightmare. But while most humans toil as slaves within four demonic kingdoms, Astaroth allows those at Rowan to thrive in peaceful isolation. Theirs is a land where magic and nature flourish . . . so long as none dare oppose the new order. That proves too steep a price for Max McDaniels. Unsure of his place at Rowan, Max sets out to explore the shifting landscape of the world beyond. In the course of his travels, he will become many things: Prisoner. Gladiator. Assassin. But can he become the hero that mankind so desperately needs? In the third book of The Tapestry, author–illustrator Henry H. Neff takes the series in an exciting new direction, creating a fascinating dystopia in which myth, history, and monsters collide. Visit www.rowanacademy.com for original content, exclusive artwork, and more!

"Miles Fitch wants to regain his father's land in south Texas, so he joins the fight for freedom from Mexico. Inside the Alamo, he is drawn to a dark-eyed beauty Rosa Carter--until he suspects that she is feeding information to the Mexican army. Forced to leave the mission, Rosa watches helplessly as Santa Ana's army closes in. Did the man she love somehow escape or survive the battle? And if he did, how will she ever prove to him that she is not a traitor?"--P. [4] of cover.

“Riveting . . . American Tapestry is not only the remarkable story of the First Lady’s family, but also a microcosm of this country’s story as well.” —USA Today In this extraordinary feat of genealogical research—in the tradition of The Hemmingses of Monticello and Slaves in the Family—author Swarns, a respected Washington-based reporter for the New York Times, tells the fascinating and hitherto untold story of Ms. Obama’s black, white, and multiracial ancestors; a history that the First Lady herself did not know. At once epic, provocative, and inspiring, American Tapestry is more than a true family saga; it is an illuminating mirror in which we may all see ourselves. “The First Family becomes ever more fascinating—and ever more representative of the nation as a whole—in Rachel Swarns’s terrific investigation into the roots of Michelle Obama . . . This is a most compelling read and more evidence for our interconnectedness as a people.” —Henry Louis Gates, Jr. “Rachel Swarns has not only excavated, with painstaking care, the family tree that is Michelle Obama’s, but, with great insight and beautiful prose, has revealed the complex, eye-opening, and disconcerting experiences that are America. This is a work of impressive historical imagination and deep cultural significance.” —Steven Hahn, Pulitzer Prize-winning author “Richly detailed . . . A lushly layered portrait of the nation itself.” —The Boston Globe “A fascinating account of the First Lady’s family . . . Few important women come from such raw places. The book makes you remember why the Obamas . . . seemed so new, so implausible . . . Extraordinary.” —The New York Times