Two girls, one white and one black, gradually get to know each other as they sit on the fence that divides the white part of town from the black part of town.

The idea of the backstage in fashion shows is simultaneously theatrical and authentic. It has the attributes of theater, with a curtain that separates the phenomenon of catwalk magic from the phenomenon of its magicians. However, the reality behind the spectacle is innately human. Somewhere in the middle of it all there is the designer. The designer is the centre around which the whole storm swirls. This is the world Julien Claessens entered with his first trip to Paris and the man behind it all was revolutionary designer Olivier Theyskens. When he was twenty, Olivier Theyskens dropped out of design school to create his first collection. Within the next year, Women's Wear Daily headlined his "Star Quality," Harpers Bazaar christened him an "Instant Icon," and The New York Times singled out his work in coverage of the Metropolitan Museum's Costume Institute, where it was already enshrined. That winter, Madonna wore Theyskens to the Oscars. In the decade since, he has lent his power to two international brands, "restoring the fortunes," as Vogue put it, of the house of Rochas, and then moving on to Nina Ricci as artistic director. His work has appeared on the cover of French, British, and American Vogue worn by Reese Witherspoon and Nicole Kidman, among other stars. Even the most casually fashion conscious consumers--occasional awards-show viewers and glossy-magazine readers--know his name, his striking face, and his dark, soft, and often-flattering aesthetic. Now, for the first time in his whirlwind career, through the beautiful photographs taken by Julien Claessens, Theyskens has made time to look back over his work and to press it into a book for worldwide distribution. Theysken's comments, "Julien's not running after the best-cut dresses," instead, "he's running after the moment." In essence, Claessens' beautiful visual montage captures more than merely a statement on fashion. Instead, he offers a comprehensive perspective paying homage to the authenticity of craftsmanship found in the world of fashion and bestows an intimate visual biography of the work of Olivier Theyskens, tracking his rise, cataloging his oeuvre, and offering a beautiful showcase for the romantic, mysterious, sumptuous garments on the volume's pages. Whether designing for Rochas, Nina Ricci or his own label, Olivier Theyskens has always wandered at the edges of beauty and refinement. Even though this young designer has experienced an unusual number of professional upheavals and fresh beginnings in a relatively short career, his vision has remained extraordinarily intact. AUTHOR Olivier Theyskens is a unique fashion icon heralding from Belgium who has been designing for over 10 years, he has worked with world renowned brands such as Rochas and Nina Ricci. This is his first book. PHOTOGRAPHER Julien Claessens has photographed Theyskens' work throughout his career. Julien is also from Belgium. ILLUSTRATIONS

This is an expanded and updated version of Nan Goldin's seminal book The Other Side, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, The Other Side traces some of the history that informs this new visibility. The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin and Bangkok, photographing their public personas while showing their real lives backstage. Goldin's newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she's loved, many of whom she's lost, over the last four decades. The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria... - Nan Goldin

In graphically stunning illustrations that feature clever twists in points of view, familiar scenes turn and turn again to show each perspective. Full color.

Ambigram Christmas childrens' book that bridges the gap between the Santa story and the Jesus story. This ambigram book has two stories in one. The first story shares people celebrating this traditional holiday.Then at the last page, readers are directed to turn the book upside down to read the second story of the birth of Jesus on Christmas day.

A 2021 New York Times/New York Public Library Best Illustrated Children’s Book “Absorbing storytelling.”—Publishers Weekly STARRED Review “A riveting read.”—Kirkus Reviews STARRED Review What’s on the other side of the forest? A young rabbit and his father are determined to find out in this modern picture book that “feels like a vintage gem” (New York Times), calling to mind the tender work of Beatrix Potter. Some say that wolves, ogres, and giant badgers live in the forest beside Arthur’s house. That’s why no one ever goes in there, to see what’s on the other side. But one day, Arthur’s dad has an idea—a magnificent idea! Build a tower to look over the treetops! But a magnificent idea takes a lot of work. Will the villagers join and help them? And when the tower takes shape, what will they see on the other side? This wonderful, heartwarming story reminiscent of classic children’s books, is perfect for: Teaching kids about cooperation and teamwork—and how they help us achieve our dreams! A fun and creative Easter or Spring-themed gift for kids

These and a hundred other images are seared into our consciousness - but a very different viewpoint appears in this vision of three decades of war in Vietnam.".