The Other Side of Memory is the attribution of meaning and significance to the events of our lives. There is purpose in our being, and it may take a lifetime to realize it and understand it. In this book, the author attempts to make sense of his varied experiences by exploring a few dimensions of his life. His family heritage, work as a pastor and teacher, interest in archaeology, theater, mystical experiences, and more all contributed to who he has become and have added texture and meaning to his life.

Lacy Johnson's rich and poetic memoir, The Other Side, chronicles her brutal kidnapping and imprisonment at the hands of an ex-boyfriend, her dramatic escape, and her hard-fought struggle to recover. Lacy Johnson bangs on the glass doors of a sleepy local police station in the middle of the night. Her feet are bare; her body is bruised and bloody; U-bolts dangle from her wrists. She has escaped, but not unscathed. The Other Side is the haunting account of a first passionate and then abusive relationship; the events leading to Johnson’s kidnapping, rape, and imprisonment; her dramatic escape; and her hard-fought struggle to recover. At once thrilling, terrifying, harrowing, and hopeful, The Other Side offers more than just a true crime record. In language both stark and poetic, Johnson weaves together a richly personal narrative with police and FBI reports, psychological records, and neurological experiments, delivering a raw and unforgettable story of trauma and transformation.

Part mad manifesto, part revolutionary love letter, part freight train adventure story — Maps to the Other Side is a self-reflective shattered mirror, a twist on the classic punk rock travel narrative that searches for authenticity and connection in the lives of strangers and the solidarity and limitations of underground community. Beginning at the edge of the internet age, a time when radical zine culture prefigured social networking sites, these timely writings paint an illuminated trail through a complex labyrinth of undocumented migrants, anarchist community organizers, brilliant visionary artists, revolutionary seed savers, punk rock historians, social justice farmers, radical mental health activists, and iconoclastic bridge builders. This book is a document of one person’s odyssey to transform his experiences navigating the psychiatric system by building community in the face of adversity; a set of maps for how rebels and dreamers can survive and thrive in a crazy world.

Housewife by day, daring writer at night, seated on the bare floor, this thinker of gender engaged with the thriving social and community reform movements of early-mid twentieth century Malayali society. The first prominent voice who spoke on behalf of women, the first startling insights that represented the struggle against the repression of the women of the Namboodiri Brahmin community, Lalithambika Antharjanam’s stories cover half a century of her engagement with caste, gender, and nationalist uprisings. In writing some of the founding texts of feminism in Kerala, she made powerful feminist interventions into literary realism in Kerala. Relatively unknown outside Kerala and yet to receive the critical attention that is her due, this book seeks to resurrect Lalithambika as a feminist public intellectual.

Some years figure more keenly in the collective memory than others. This volume explores how 1968 has come to be perceived in France, Germany, Italy, U.S., Mexico & China, & how various national preoccupations with order, political violence, individual freedom, youth culture & self-expression have been reflected.

On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada’s sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed. Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances. The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.

Black River is the autobiography of a nonexistent personage. Drawing on literary techniques developed by Beckett, Burroughs and Borges, Black River plunges into a violent and surreal world from which the last traces of the gods have vanished. The text by Justin Clemens is supplemented with Helen Johnson's extraordinary collages. Black River is a work of hallucinatory materialism.