"He has spent nearly three decades studying, learning from, crusading for, and thinking about hunter-gatherers, who survive at the margins of the vast, fertile lands occupied by farming peoples and their descendants, now the great majority of the world's population. In material terms, the hunters have been all but vanquished, yet in this profound and passionate book, Brody utterly dispels the notion that theirs is a lesser way of life."--Jacket.

The late son of author John Steinbeck, John Steinbeck IV, labored under the burden of being the son of a 20th century legend, yet persevered to become a respected journalist in his own right. Left unfinished by his death, this memoir of John Steinbeck IV is reconstructed by his wife of 12 years, who interweaves her own memories of life with him.

New York Times bestselling author James Lee Burke brings readers a captivating tale of justice, love, brutality, and mysticism set in the turbulent 1960s. The American West in the early 1960s appears to be a pastoral paradise: golden wheat fields, mist-filled canyons, frolicking animals. Aspiring novelist Aaron Holland Broussard has observed it from the open door of a boxcar, riding the rails for both inspiration and odd jobs. Jumping off in Denver, he finds work on a farm and meets Joanne McDuffy, an articulate and fierce college student and gifted painter. Their soul connection is immediate, but their romance is complicated by Joanne’s involvement with a shady professor who is mixed up with a drug-addled cult. When a sinister businessman and his son who wield their influence through vicious cruelty set their sights on Aaron, drawing him into an investigation of grotesque murders, it is clear that this idyllic landscape harbors tremendous power—and evil. Followed by a mysterious shrouded figure who might not be human, Aaron will have to face down all these foes to save the life of the woman he loves and his own. The latest installment in James Lee Burke’s masterful Holland family saga, Another Kind of Eden is both riveting and one of Burke’s most ambitious works to date. It dismantles the myths of both the twentieth-century American West and the peace-and-love decade, excavating the beauty and idealism of the era to show the menace and chaos that lay simmering just beneath the surface.

Jonathan Ball was born in Bude, Cornwall, in June 1947. After qualifying at the Architectural Association, London, he set up practice in his home town in 1974. In 1992 he was appointed MBE for Services to Architecture. In 1994 he was approached by Tim Smit with an idea to create the largest greenhouses on planet Earth to tell the story of the great plant hunters. Smit and Ball took huge personal risks as co-founders of the innovative architectural and environmental vision that became the internationally acclaimed Eden Project. Ball was removed from Eden against his will. Without due recompense he lost his architectural practice. Three high profile appearances in the Royal Courts of Justice over four years followed to save his name, his family home and his professional reputation. This is the story of one man's unflinching resolve and success in righting a public wrong, of a Cornishman looking to the glory of his nation and finding that enthusiasm, brilliant ideas and promises are not always enough.

Facing an invasion, the Sultan appears less concerned-but that isn't the worst threat lurking...The Sultan's secrets are at risk. With a palace celebration in full swing, he's locked in a windowless basement making plans with his military. He'll do anything to protect his son and heir. The Sultan has never faced the grim realities of his ascension to the throne, nor the potential danger posed to those he loves most. Struggling to keep his secrets intact, he's faced with betrayal of those he thought he could trust, the greed of those closest to him, and the larger threat. With things not going his way, the Sultan stays resolute, but what happens when the assailants are at his door?

Here for the first time, the head of a genuine Magical Organisation reveals the esoteric doctrines of the 'black' magic of the Left-Hand Path, as well as the practical applications of psychosexual formulae of which very little is generally known.

If the end of the world is nigh, then surely it's only sensible to make alternative arrangements. There are those who say that's planetary treason, but who cares what the weirdos and terrorists think? Not Nathan. All he cares is that his movie gets made and that there's somebody left to see it.