The Other Poetry of Barcelona: Spanish and Spanish-American Women Poets. Edited by Carlota Caulfield and Jaime D. Parra. Introduction by Jaime D. Parra. The present book, is dedicated to a group of Spanish and Spanish-American poets, all women, who for one reason or another have Barcelona as their point of reference. They write in Spanish or Catalan and are tightly linked, despite differences in their styles, tastes and even languages. The Other Poetry of Barcelona is a collection of these voices, which have grown and developed around Barcelona in recent years. The poets included in this anthology are: Neus Aguado, Nicole d'Amonville Alegria, Carmen Borja, Carlota Caulfield, Marga Clark, Mariana Colomer, Gemma Ferron, Concha Garcia, Rosa Lentini, Gemma Mana Delgado, M. Cinta Montagut, Ana Nuno, Teresa Pascual, Susanna Rafart, Teresa Shaw, Anabel Torres, and Esther Zarraluki. The book includes an appendix with original poems in Spanish and Catalan, and bio-bibliographies of the poets."

Longlisted for the Best Translated Book Award 2020 Spain's greatest living poet, Pere Gimferrer (b.1945) has written more than thirty books spanning verse, fiction, essay, and criticism. His earliest writings appeared in Spanish. In 1970 he began publishing in Catalan, and has alternated between the two languages since (with occasional forays into French and Italian). The present collection, the first book-length publication of Gimferrer's Catalan poetry in English, brings together work from all phases of his career. His poetry is a marvel of syncretism: Billie Holiday, the medieval polymath Ramon Llull, Ezra Pound, and the artist Tàpies all appear in his pages. His style draws equally on modernism, on Galician-Portuguese love lyrics, on Góngora and on the Valencian metaphysical poet Ausiàs March. Rounding out the volume is a selection from the Dietari, an artistic diary that outlines his poetics and his sense of the artist's vocation through a series of meditations on Casanova, Octavio Paz and others.

Where were the women of the so-called `Auden Generation'? During this era of rapidly changing gender roles, social values and world politics, women produced a rich variety of poetry. But until now their work has largely been lost or ignored: in Women's Poetry of the 1930s , Jane Dowson finally redresses the balance and recovers women's place in the literary history of the interwar years. This comprehensive and beautifully edited collection of richly varied poems includes: * Previously uncollected poems by authors such as Winifred Holtby and Naomi Mitchison * Poems which are now out of print, such as those by Vita Sackville-West and Frances Cornford * Poems previously neglected by poets including Ann Ridler and Sylvia Townsend Warner * An extensive critical introduction and individual biographies of each poet This unique anthology sheds a whole new light on women's place in this era of British literary history and demands a reassessment of our understanding of 1930s poetry. This will be invaluable resource and a treasured volume for students, scholars and poetry enthusiasts alike.

The Book of the Dead by Muriel Rukeyser was published as part of her 1938 volume U.S. 1. The poem, which is probably the most ambitious and least understood work of Depression-era American verse, commemorates the worst industrial accident in U.S. history, the Gauley Tunnel tragedy. In this terrible disaster, an undetermined number of men—likely somewhere between 700 and 800—died of acute silicosis, a lung disorder caused by prolonged inhalation of silica dust, after working on a tunnel project in Fayette County, West Virginia, in the early 1930s. After many years of relative neglect, The Book of the Dead has recently returned to print and has become the subject of critical attention. In Muriel Rukeyser’s “The Book of the Dead,” Tim Dayton continues that study by characterizing the literary and political world of Rukeyser at the time she wrote The Book of the Dead. Rukeyser’s poem clearly emerges from 1930s radicalism, as well as from Rukeyser’s deeply felt calling to poetry. After describing the world from which the poem emerged, Dayton sets up the fundamental factual matters with which the poem is concerned, detailing the circumstances of the Gauley Tunnel tragedy, and establishes a framework derived from the classical tripartite division of the genres—epic, lyric, and dramatic. Through this framework, he sees Rukeyser presenting a multifaceted reflection upon the significance, particularly the historical significance, of the Gauley Tunnel tragedy. For Rukeyser, that disaster was the emblem of a history in which those who do the work of the world are denied control of the vast powers they bring into being. Dayton also studies the critical reception of The Book of the Dead and determines that while the contemporary response was mixed, most reviewers felt that Rukeyser had certainly attempted something of value and significance. He pays particular attention to John Wheelwright’s critical review and to the defenses of Rukeyser launched in the 1980s and 1990s by Louise Kertesz and Walter Kalaidjian. The author also examines the relationship between Marxism as a theory of history governing The Book of the Dead and the poem itself, which presents a vision of history. Based upon primary scholarship in Rukeyser’s papers, a close reading of the poem, and Marxist theory, Muriel Rukeyser’s “The Book of the Dead” offers a comprehensive and compelling analysis of The Book of the Dead and will likely remain the definitive work on this poem.

Some 750 alphabetically-arranged entries provide insights into recent cultural and political developments within Spain, including the cultures of Catalonia, Galicia and the Basque country. Coverage spans from the end of the Civil War in 1939 to the present day, with emphasis on the changes following the demise of the Franco dictatorship in 1975. Entries range from shorter, factual articles to longer overview essays offering in-depth treatment of major issues. Culture is defined in its broadest sense. Entries include: *Antonio Gaudí * science * Antonio Banderas * golf * dance * education * politics * racism * urbanization This Encyclopedia is essential reading for anyone interested in Spanish culture. It provides essential cultural context for students of Spanish, European History, Comparative European Studies and Cultural Studies.

Via rigorous study of the legal arguments Spain developed to justify its acts of war and conquest, The Other Side of Empire illuminates Spain's expansionary ventures in the Mediterranean in the late fifteenth and early sixteenth centuries. Andrew Devereux proposes and explores an important yet hitherto unstudied connection between the different rationales that Spanish jurists and theologians developed in the Mediterranean and in the Americas. Devereux describes the ways in which Spaniards conceived of these two theatres of imperial ambition as complementary parts of a whole. At precisely the moment that Spain was establishing its first colonies in the Caribbean, the Crown directed a series of Old World conquests that encompassed the Kingdom of Naples, Navarre, and a string of presidios along the coast of North Africa. Projected conquests in the eastern Mediterranean never took place, but the Crown seriously contemplated assaults on Egypt, Greece, Turkey, and Palestine. The Other Side of Empire elucidates the relationship between the legal doctrines on which Spain based its expansionary claims in the Old World and the New. The Other Side of Empire vastly expands our understanding of the ways in which Spaniards, at the dawn of the early modern era, thought about religious and ethnic difference, and how this informed political thought on just war and empire. While focusing on imperial projects in the Mediterranean, it simultaneously presents a novel contextual background for understanding the origins of European colonialism in the Americas.