"Wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction... altogether transporting."--A.J. Finn, #1 New York Times bestselling author A WASHINGTON POST BEST MYSTERY OF 2019 A BEST BOOK OF 2019, NPR's Book Concierge A wave of refugees has arrived on the Sicilian coast, and Inspector Montalbano and his team have been stationed at port, alongside countless volunteers, to receive and assist the newcomers. Meanwhile, Livia has promised their presence at a friend's wedding, and the inspector, agreeing to get a new suit tailored, meets the charming master seamstress Elena Biasini. But while on duty at the dock one late night, tragedy strikes, and a woman is found gruesomely murdered. Between managing the growing crowds at the landing, Montalbano delves into the world of garments, in the company of an orphaned cat, where he works to weave together the loose threads of the unsolved crimes and close the case.

The Other End of the Line is the twenty-fourth darkly humorous Inspector Montalbano mystery from the international bestselling author Andrea Camilleri. In Inspector Montalbano’s coastal town of Vigàta, a surge of migrants have been coming in by boat, and all the town’s hands are on deck to help the arrivals. At the heart of the scene are the police – on the lookout for the people smugglers responsible – and long night-shifts are rendering Inspector Montalbano and his officers exhausted. Then one night, while Montalbano is enduring yet another gruelling stint at the port, a separate crime is committed – unexplained, unexpected, and unpleasant. Elena, the dressmaker at the town’s famous tailors, has been found dead – slaughtered by her own scissors . . . As a swell of desperate people arrive in search of a better life, Inspector Montalbano finds himself trying to unravel the mystery of who murdered the dressmaker. But as he makes his enquiries, the Inspector can’t help but wonder: what will happen if he keeps tugging on this thread? And what will he find at the end of the line?

Holland and Niles Perry are identical thirteen-year-old twins. They are close, close enough, almost, to read each other’s thoughts, but they couldn’t be more different. Holland is bold and mischievous, a bad influence, while Niles is kind and eager to please, the sort of boy who makes parents proud. The Perrys live in the bucolic New England town their family settled centuries ago, and as it happens, the extended clan has gathered at its ancestral farm this summer to mourn the death of the twins’ father in a most unfortunate accident. Mrs. Perry still hasn’t recovered from the shock of her husband’s gruesome end and stays sequestered in her room, leaving her sons to roam free. As the summer goes on, though, and Holland’s pranks become increasingly sinister, Niles finds he can no longer make excuses for his brother’s actions. Thomas Tryon’s best-selling novel about a homegrown monster is an eerie examination of the darkness that dwells within everyone. It is a landmark of psychological horror that is a worthy descendent of the books of James Hogg, Robert Louis Stevenson, Shirley Jackson, and Patricia Highsmith.

Ninety percent of the large fish in the world's oceans have disappeared in the past half century, causing the collapse of fisheries along with numerous fish species. In this hard-hitting, provocative expos�, Charles Clover reveals the dark underbelly and hidden costs of putting food on the table at home and in restaurants. From the Tsukiji fish market in Tokyo to a seafood restaurant on the North Sea and a trawler off the coast of Spain, Clover pursues the sobering truth about the plight of fish. Along with the ecological impact wrought by industrial fishing, he reports on the implications for our diet, particularly our need for omega-3 fatty acids. This intelligent, readable, and balanced account serves as a timely warning to the general public as well as to scientists, regulators, legislators--and all fishing enthusiasts.

Thirteen-year-old Robbie is locked in a room with nothing but a desk, a chair, a piece of paper, and a pencil. He's starving, but all they'll give him is water. He is sure he's in a nuthouse or a prison. Actually, he's at Great Oaks School, aka the End of the Line. Kept in solitary confinement, Robbie must earn points for food, a bed, even bathroom privileges. He must learn to listen carefully, to follow the rules, and to accept and admit the truth: he is a murderer. Robbie's first-person account of his struggles at the school--at times horrifying, at times hilarious--alternates with flashbacks to the events that led to his incarceration. Ultimately he must confront the question: which is worse--that he wanted to kill his friend Ryan or that he killed him by accident? Gripping and suspenseful, this is a powerful, no-holds-barred novel by an exciting new talent.

This volume tells the story of what the 1988 closing of the Chrysler assembly plant in Kenosha, Wisconsin, meant to the people who lived in that town. Through interviews with displaced autoworkers and other members of the community it dramatizes the lessons Kenoshans drew from the plant shutdown. This volume tells the story of what the 1988 closing of the Chrysler assembly plant in Kenosha, Wisconsin, meant to the people who lived in that company town. Since the early days of the 20th century, Kenosha had forged its identity and politics around the interests of the auto industry. When nearly 6000 workers lost their jobs in the shutdown, the community faced not only a serious economic crisis but also a profound moral one. In this study, Dudley describes the painful, often confusing process of change that residents of Kenosha, like the increasing number of Americans who are caught in the crossfire of de-industrialization, were forced to undergo. Through interviews with displaced autoworkers and Kenosha's community leaders, high-school counsellors and a rising class of upwardly mobile professionals, Dudley dramatizes the lessons Kenoshans drew from the plant shutdown.