Delve deep into the religious rites and ceremonies of the Osage Indians with this comprehensive study by Francis La Flesche. The book offers two versions of the child-naming rite, shedding light on Osage mythology and traditions. A significant contribution to the understanding of Native American culture.

This is a new release of the original 1928 edition.

This story is a semi-autobiographical tale by Francis La Flesche, the first professional Native American ethnologist who worked with the Smithsonian Institution. Here, he shares his experiences growing up with his fellow Native Americans who are entrenched in White American society - with a particular focus on his student years.

In English, I’n-Lon-Schka means "playground of the eldest son." The dance, in which women are allowed only a peripheral role, celebrates traditional masculine values while helping to break down factionalism and feuding within the tribe. The participants, who now number in the hundreds, assemble each June in three Oklahoma communities-Pawhuska, Hominy, and Grayhorse-where the Dance Chairmen, the Drumkeeper (an eldest son of the tribe), and the dance organization have been preparing for the dance throughout the year. The I’n-Lon-Schka is religious in content and continues to establish conduct and ways of living for tribal members.

This is the definitive one-volume guide to the Indian tribes of North America, and it covers all groupings such as nations, confederations, tribes, subtribes, clans, and bands. It is a digest of all Indian groups and their historical locations throughout the continent. Formatted as a dictionary, or gazetteer, and organized by state, it includes all known tribal groupings within the state and the many villages where they were located. Using the year 1650 to determine the general location of most of the tribes, Swanton has drawn four over-sized fold-out maps, each depicting a different quadrant of North America and the location of the various tribes therein, including not only the tribes of the United States, Canada, Greenland, Mexico, and Central America, but the Caribbean islands as well. According to the author, the gazetteer and the maps are "intended to inform the general reader what Indian tribes occupied the territory of his State and to add enough data to indicate the place they occupied among the tribal groups of the continent and the part they played in the early period of our history. . . ." Accordingly, the bulk of the text includes such facts as the origin of the tribal name and a brief list of the more important synonyms; the linguistic connections of the tribe; its location; a brief sketch of its history; its population at different periods; and the extent to which its name has been perpetuated geographically.--From publisher description.

A lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene. This vivid ethnography of the musical lives of heavy metal, rock, and jazz musicians in Cleveland and Akron, Ohio shows how musicians engage with the world of sound to forge meaningful experiences of music. Unlike most popular music studies, which only provide a scholar's view, this book is based on intensive fieldwork and hundreds of hours of in-depth interviews. Rich descriptions of the musical life of metal bars and jazz clubs get readers close to the people who make and listen to the music. Of special interest are Harris M. Berger's interviews with Timmy "The Ripper" Owens, now famous as lead singer for the pioneering heavy metal band, Judas Priest. Owens and other performers share their own experiences of the music, thereby challenging traditional notions of harmony and musical structure. Using ideas from practice theory and phenomenology, Berger shows that musical perception is a kind of practice, both creatively achieved by the listener and profoundly informed by social context.