Join the starship Orville on these new missions set between seasons two and three of Seth MacFarlane’s hit sci-fi TV show! Across space and time, Captain Ed Mercer and his crew explore some of the galaxy’s greatest mysteries in these two thrilling adventures written by Executive Producer David A. Goodman. In “Digressions,” after being pulled into the future and then sent back with her memory intact, Kelly rejects Ed’s offer of a second date. As a result, she, Ed, Gordon, and Claire never end up serving aboard the Orville. When Kelly realizes this will result in the destruction of Earth, she races to unravel how to bring her would-have-been crewmates together and undo this alternate timeline before the Kaylon burn the galaxy to cinders. In “Artifacts,” Ed’s old astro-archeology teacher puts the Orville in grave danger when, in pursuit of a legendary fleet of starships from a lost civilization, he leads them into a system so hazardous no ship has ever successfully navigated it. Realizing that the professor hasn’t been entirely forthright, Ed must uncover the truth if the Orville is to survive this perilous endeavor. Collects The Orville #1: Digressions Part 1 of 2, The Orville #2: Digressions Part 2 of 2, The Orville #1: Artifacts Part 1 of 2, and The Orville #2: Artifacts Part 2 of 2.

With the Orville poised to spring a trap that will result in the destruction of Earth, Kelly Grayson, First Officer of the Jefferson, races to unravel how to bring her would-have-been crewmates together and undo this alternate timeline before the Kaylon burn the galaxy to cinders.

Board the starship Orville and adventure through space on these new missions set between seasons two and three of Seth MacFarlane's hit sci-fi TV show! Executive Producer David A. Goodman writes a double feature that has Captain Ed Mercer and crew investigating an enigmatic alien device and contemplating the consequences of intervention when a primitive civilization faces an off-world threat. In "Launch Day," when seemingly hostile Krill ships cross into Union space, the Orville intercepts. Ed learns they are en route to a planet that left the Planetary Union decades ago under mysterious circumstances. Scans have discovered a moon-sized construct above the planet, and the Krill intend a preemptive strike against the presumed weapon. But is it? In "Heroes," Lieutenant Talla Keyali returns to a planet she surveyed as an Ensign when a quantum signature on the surface suggests significant technological advances since her last visit. Instead, she discovers a spacefaring species has subjugated the locals, transforming their once idyllic society into a grim mining operation. Stymied by the Union's hesitance to provoke hostilities, Talla must consider how far she's willing to go to help these people and the repercussions of doing so. Collects The Orville #1: Launch Day Part 1 of 2, The Orville #2: Launch Day Part 2 of 2, The Orville #3: Heroes Part 1 of 2, The Orville #4: Heroes Part 2 of 2.

Four-time Emmy Award winner Seth MacFarlane creates a new sci-fi dramedy universe on the Fox Network with his new show, The Orville. MacFarlane plays Captain Ed Mercer, an officer in the Planetary Union in the 25th century who gathers a crew from the farthest reaches of the galaxy—his ex-wife included—to man the exploration vessel Orville and patrol the mysteries of deep space. Filled with alien species, exotic worlds, futuristic technology and awe-inspiring spaceships, this lavish companion to The Orville takes you behind the scenes through concept art, on-set photography and technical schematics to explore the show’s production design, costumes, makeup prosthetics and visual effects. This is the ultimate guide to this new space-faring epic adventure.

John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group. Solomon's images depict a complex terrain of social and emotional issues inherited over generations: a world of class and gender divisions, implied and overt racism, competing notions of liberty, and lurking violence. Journeying through Alabama, Georgia, Florida, Louisiana, Mississippi, Tennessee, and South California, Solomon draws attention to cultural idiosyncrasies, paradoxes and theatrical displays: a Daughter of the Confederacy sits in costume with a china doll from her collection; a dead tree stump, fenced and suspended with wires is elevated to the status of a Civil War monument; African American boys examine a vitrine of guns as two white police manikins loom behind them. Poised between act and re-enactment, the animate and the inanimate, Solomon's images reveal how history becomes a vernacular performance and identity a form of theatre.--

Virtually all hob hunting experts agree that networking is the best way to find a great job. But most people don't have connections to the decision makers who do the hiring. Orville Pierson, a top expert in job hunting, tells you how to succeed by effectively using your current circle of contacts. He cuts through the myths and misunderstanding to shouw you how millions of job hunters have networked their way to great new jobs. Highly Effective Networking empowers you to: Use a small network to reach dozens of insiders and decision makers; get the right message to the right people; create a project plan to organize your networking efforts; speak effectively and comfortably with our networking contacts; and talk to decision makers before the job opening is announced.