Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

This book explores how humans in the Renaissance lived with, attended to, and considered the minds, feelings, and sociality of other creatures. It examines how Renaissance literature and natural history display an unequal creaturely world: all creatures were categorized hierarchically. However, post-Cartesian readings of Shakespeare and other Renaissance literature have misunderstood Renaissance hierarchical creaturely relations, including human relations. Using critical animal studies work and new materialist theory, Bach argues that attending closely to creatures and objects in texts by Shakespeare and other writers exposes this unequal world and the use and abuse of creatures, including people. The book also adds significantly to animal studies by showing how central bird sociality and voices were to Renaissance human culture, with many believing that birds were superior to some humans in song, caregiving, and companionship. Bach shows how Descartes, a central figure in the transition to modern ideas about creatures, lived isolated from humans and other creatures and denied ancient knowledge about other creatures’ minds, especially bird minds. As significantly, Bach shows how and why Descartes’ ideas appealed to human grandiosity. Asking how Renaissance categorizations of creatures differ so much from modern classifications, and why those modern classifications have shaped so much animal studies work, this book offers significant new readings of Shakespeare’s and other Renaissance texts. It will contribute to a range of fields, including Renaissance literature, history, animal studies, new materialism, and the environmental humanities.

More than 900 species of birds are known from North America, an avifauna made up of native year-round residents and seasonal migrants, modestly enhanced by introduced exotics and neighboring vagrants. Bird Is the Word is an unequalled compilation of the names of almost 800 of those birds and the record of how, when, where, and by whom those names were created and became parts of the history and science of North America's avifauna. This book is made up of three parts. Part I provides an introduction to the discovery and recording of North American birds by Europeans and to the scope and structure of avian taxonomy. Part II, which consists of 26 chapters and makes up most of the book, is devoted to the names of the individual species and the historical and cultural context of those names. Part III includes three appendixes, the largest of which introduces more than a hundred naturalists and other persons who participated searching for, finding, recording, naming, describing, or illustrating the birds of North America. Bird Is the Word is a rich, and readily accessible, collection of information about finding and naming the birds of North America. It is much more than a reference book; it is a journey of discovery that will enrich the reader's birding experience.