This narrative history explores the emergence of one of the most influential Nationalist movements of modern Europe. It explains how and why the movement united the far right with the far left in a militant campaign to wrest control of France from the moderate republicans who were attempting to stabilize the country after a century of political volatility. The agitation groups, propaganda machines, street-fighting gangs, and political hustlers, who made up the Nationalists, all campaigned for one end: to overthrow the Third Republic. The eruption of the Dreyfus Affair (1894-1899) provided the Nationalists with a convenient target for their assaults: the "Dreyfusard" defenders of a wrongly convicted Jewish army captain, Alfred Dreyfus. This work, based on original archival research in France, argues that the Nationalists posed a real and dangerous threat that dissipated only when their goals were adopted by more moderate competing groups.

During World War II, French citizens expressed that the German occupiers behaved more "correctly" than the American combat troops who replaced them. In The Struggle for Cooperation: Liberated France and the American Military, 1944--1946, author Robert L. Fuller presents a unique perspective on the relations between France and the United States during the Second World War. Until the summer of 1944, the German Army made real efforts to fare well with the French to make their occupation duties easier. The Americans also tried to get along with the French; however, American GIs were subjected to looser discipline than German soldiers. Most GIs behaved appropriately, but the small number who did not created an unfavorable impression among the French -- which created tension, mutual feelings of suspicion and dislike, and occasional displays of outright hostility. Yet, because the war against the Axis powers was also France's war, most French, especially officials, wanted to work cooperatively with the Americans to play their part in winning it. Fuller reveals how the French handled various issues that demanded cooperation, including the requisition of French property, the treatment of Axis prisoners of war, the utilization of French transportation networks, GI crime, and the effective American takeover of the port of Marseille. Other interactions, such as controlling black markets and caring for displaced persons, fostered both cooperation and friction. Fuller establishes how all of these issues offered the possibility of working together peacefully or in conflict, and how -- more often than not -- the results ended with positive and amicable actions.

This thoroughly revised edition has been updated to incorporate recent case studies, biographies, syntheses, journal articles and scholarly conferences that appeared in conjunction with the centenary of the outbreak of the First World War in 2014. The original version of this work, published by James Joll in 1984, quickly became established as the authoritative introduction to the subject of the war’s origins. Significantly expanded by Gordon Martel in 2007, this volume continues to offer a careful, clear, and comprehensive evaluation of the multitude of explanations advanced to explain the causes of the cataclysm of 1914, addressing each of the major interpretive approaches to the subject, with essay-like chapters addressing the alliance system, militarism and strategy, the international economy, imperial rivalries, the role of domestic politics and the ‘mood’ of 1914. This edition offers an extensive new introduction, a new conclusion (including ‘ten fateful choices’ that led to war), an entirely new chapter on the July Crisis, and a vastly expanded Guide to Further Reading. Covering over a century of controversy and scholarship, The Origins of the First World War is a valuable resource for all students and scholars interested in this major conflict.

At the end of the twentieth century, many believed the story of European political development had come to an end. Modern democracy began in Europe, but for hundreds of years it competed with various forms of dictatorship. Now, though, the entire continent was in the democratic camp for the first time in history. But within a decade, this story had already begun to unravel. Some of the continent's newer democracies slid back towards dictatorship, while citizens in many of its older democracies began questioning democracy's functioning and even its legitimacy. And of course it is not merely in Europe where democracy is under siege. Across the globe the immense optimism accompanying the post-Cold War democratic wave has been replaced by pessimism. Many new democracies in Latin America, Africa, and Asia began "backsliding," while the Arab Spring quickly turned into the Arab winter. The victory of Donald Trump led many to wonder if it represented a threat to the future of liberal democracy in the United States. Indeed, it is increasingly common today for leaders, intellectuals, commentators and others to claim that rather than democracy, some form dictatorship or illiberal democracy is the wave of the future. In Democracy and Dictatorship in Europe, Sheri Berman traces the long history of democracy in its cradle, Europe. She explains that in fact, just about every democratic wave in Europe initially failed, either collapsing in upon itself or succumbing to the forces of reaction. Yet even when democratic waves failed, there were always some achievements that lasted. Even the most virulently reactionary regimes could not suppress every element of democratic progress. Panoramic in scope, Berman takes readers through two centuries of turmoil: revolution, fascism, civil war, and - -finally -- the emergence of liberal democratic Europe in the postwar era. A magisterial retelling of modern European political history, Democracy and Dictatorship in Europe not explains how democracy actually develops, but how we should interpret the current wave of illiberalism sweeping Europe and the rest of the world.

Aimed firmly at the student reader, this handbook offers an overview of the full range of the history of France, from the origins of the concept of post-Roman "Francia," through the emergence of a consolidated French monarchy and the development of both nation-state and global empire into the modern era, forward to the current complexities of a modern republic integrated into the European Union and struggling with the global legacies of its past. Short, incisive contributions by a wide range of expert scholars offer both a spine of chronological overviews and a diverse spectrum of up-to-date insights into areas of key interest to historians today. From the ravages of the Vikings to the role of gastronomy in the definition of French culture, from Caribbean slavery to the place of Algerians in present-day France, from the role of French queens in medieval diplomacy to the youth-culture explosion of the 1960s and the explosions of France’s nuclear weapons program, this handbook provides accessible summaries and selected further reading to explore any and all of these issues further, in the classroom and beyond.

This book investigates how people have thought about and experienced time, and how their ideas about time have shaped their political views and actions. Using French thinkers and activists of the radical left and right between the Dreyfus Affair and the First World War as a case study, it argues that time provides an important means of exploring how concepts such as nationalism, revolution and social change were understood at the turn of the century. Attending to different experiences of time – the speed at which it was perceived to move, the extent to which the future was near and graspable, the ways in which the past was seen to impinge on the present – opens up exciting new possibilities for analysing politics, ideologies and worldviews.

This is the first book in many years about the nineteenth-century French artist Henri Regnault. Controversial and celebrated in his day, Regnault did not live long. He died at the age of 28 in the Franco-Prussian War, becoming a hero of the French nation. What sets him apart from the more conventional members of the French academy is his great skill in painting Oriental exotic subjects and doing so in a highly materialistic vein designed to produce, through elements like gold paint, garish colors, and odd details, blatant amusement for the eye. In a word, his images are both delightful and awful. Gotlieb s book combines biography, history, and comparative readings of works by Regnault with those by other French artists such as Delacroix, Fromentin, and Renoir. It also, importantly, explores the afterlives of Regnault as a cultural and artistic figure, as well as his diminishment during the rise of modernism and his eventual demise in the history of art."