From the Nobel Prize winner comes a captivating novel about an idealistic Icelandic farmer who journeys to Mormon Utah and back in search of paradise. • "Full of an earthy poetry...a style wonderfully wise and entirely Scandinavian in its combination of magic and reality." —The New York Times Book Review • With an introduction by the Pulitzer Prize-winning author of A Thousand Acres. The quixotic hero of this long-lost classic is Steinar of Hlidar, a generous but very poor man who lives peacefully on a tiny farm in nineteenth-century Iceland with his wife and two adoring young children. But when he impulsively offers his children's beloved pure-white pony to the visiting King of Denmark, he sets in motion a chain of disastrous events that leaves his family in ruins and himself at the other end of the earth, optimistically building a home for them among the devout polygamists in the Promised Land of Utah. By the time the broken family is reunited, Laxness has spun his trademark blend of compassion and comically brutal satire into a moving and spellbinding enchantment, composed equally of elements of fable and folkore and of the most humble truths.

Study of Iceland's Nobel prize-winning novelist and his works.

Essays focusing on the artistic innovations of Scandinavian fin de siècles. This collection of essays by eminent Scandinavists focusses on works and artistic movements prominent towards the ends of the last four centuries. The last decade of each century has seen amazing innovations in Scandinavian arts, especially in literature: the flowering of genres in national languages in the 1600s, the bawdy rococo voice of Carl Michael Bellman in the 1700s, the rise of Scandinavian drama with August Strindberg and Henrik Ibsen and the neoromanticism of the premodernistic novels of Hamsun. Each essay is a study from the unique perspective of one of the field's foremost European or American scholars and is inspired by the Renaissance interests of the Norwegian scholar Harlad S. Naess. The collection as a whole contributes to the creation of a modern, multilayered view of the beginnings and endings of the seventeenth-, eighteenth-, nineteenth- and twentieth-century worlds in Scandinavia and Scandinavian America.

This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.

"An enthralling, heartening study of a man of unflagging interest in life" Independent "A thoroughly researched biography" New York Review of Books "Provides readers of English with a perfect introduction to the life and works of an outstanding writer, one whom everyone should read" Irish Times "I am thoroughly convinced by Gudmundsson's portrayal of Laxness" J. M COETZEE A strong and memorable portrayal of a man who fought heroically to write for the world, but in one of its rarest languages. Halldór Laxness won the Nobel Prize for literature in 1955. During his life, which spanned nearly the entire century, he not only wrote sixty books, but also became an active participant in Europe's idealistic debates and struggles. In the 1930s, Laxness became attracted to Soviet communism. He travelled widely in the Soviet Bloc and, despite witnessing some atrocities, remained a defender of communism until the 1960s. But his political leanings never dominated his work. Laxness continually sought to divulge the world of beauty that lurks beneath the everyday, ensuring his artistry remained a sanctuary of humanism and reflection. In this biography, Guðmundsson has been granted access to unique material by Laxness' family. As a result, the interrelationships between Laxness' personal life, his politics and his career are meticulously examined. What emerges is a grand description of a fascinating personality in which the manifold conflicts of the 20th century are mirrored. "Laxness is a writer of the first degree, a writer I dreamed of coming close to" BORIS PASTERNAK, 1960 "When in a bad mood I have picked one of your books. And there the pure and deep sound has welcomed me, strong and charming from the first page" KAREN BLIXEN in an open letter to Laxness in 1952 Translated from Icelandic by Philip Roughton

Austin Clarke’s luminous novel, written in vivid, hypnotic prose, reveals the dislocations of place and the nature of memory and the past. Two elderly Barbadian men, childhood friends who haven’t seen each other in fifty years, collide in a snowstorm on a Toronto street. In the warmth of a nearby bar, through the afternoon and into the night, they relate stories, exchange opinions, and share memories of a past in Barbados when, as children, neither could conceive any other place existed for them. As these two men confess to each other their innermost truths, their exploits and their love affairs, one tells the haunting story of a young Chinese woman, the other of the real reason for his visit to Toronto. Infused with pathos and humour, and with an affecting nostalgia for the idea of home, The Origin of Waves is a stunning and original novel by one of the country’s most gifted writers.

Nordic Literature: A comparative history is a multi-volume comparative analysis of the literature of the Nordic region. Bringing together the literature of Finland, continental Scandinavia (Sweden, Norway, Denmark, and Sápmi), and the insular region (Iceland, Greenland, and the Faroe Islands), each volume of this three-volume project adopts a new frame through which one can recognize and analyze significant clusters of literary practice. This first volume, Spatial nodes, devotes its attention to the changing literary figurations of space by Nordic writers from medieval to contemporary times. Organized around the depiction of various “scapes” and spatial practices at home and abroad, this approach to Nordic literature stretches existing notions of temporally linear, nationally centered literary history and allows questions of internal regional similarities and differences to emerge more strongly. The productive historical contingency of the “North” as a literary space becomes clear in this close analysis of its literary texts and practices.