A fresh look at early dramatic activity in Scandinavia, using archaeological, historical and literary evidence.

Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.

The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.

Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.

Once part of the Kalmar Union-along with Denmark and Norway-the Kingdom of Sweden broke free in order to govern itself in the early 1500s, and for more than a century afterwards it was a force to be reckoned with. At its peak, it was twice the size that it is today, but with the secession of Finland in 1809 and the rise of Russia, Sweden changed its path and instead turned toward neutrality and a peaceful existence. Today, Sweden boasts a healthy economy, and it is an important member of the European Union, as well a major contributor to international activities. The A to Z of Sweden relates the history of Sweden through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on significant persons, events, and institutions, this dictionary provides information ranging from politics to economics, from education to religion, and from music to literature.

Old Norse literature abounds with descriptions of magic acts that allow ritual specialists of various kinds to manipulate the world around them, see into the future or the distant past, change weather conditions, influence the outcomes of battles, and more. While magic practitioners are known under myriad terms, the most iconic of them is the völva. As the central figure of the famous mythological poem Völuspá (The Prophecy of the Völva), the völva commands both respect and fear. In non-mythological texts similar women are portrayed as crucial albeit somewhat peculiar members of society. Always veiled in mystery, the völur and their kind have captured the academic and popular imagination for centuries. Bringing together scholars from various disciplinary backgrounds, this volume aims to provide new insights into the reality of magic and its agents in the Viking world, beyond the pages of medieval texts. It explores new trajectories for the study of past mentalities, beliefs, and rituals as well as the tools employed in these practices and the individuals who wielded them. In doing so, the volume engages with several topical issues of Viking Age research, including the complex entanglements of mind and materiality, the cultural attitudes to animals and the natural world, and the cultural constructions of gender and sexuality. By addressing these complex themes, it offers a nuanced image of the völva and related magic workers in their cultural context. The volume is intended for a broad, diverse, and international audience, including experts in the field of Viking and Old Norse studies but also various non-professional history enthusiasts. The Norse Sorceress: Mind and Materiality in the Viking World is a key output of the project Tanken bag Tingene (Thoughts behind Things) conducted at the National Museum of Denmark from 2020 to 2023 and funded by the Krogager Foundation.

Corruption, scandals, and reports of wrongdoing in college football are constantly in the news. From Penn State’s Joe Paterno to Ohio State’s Jim Tressel, we have come to learn that some of the most lauded coaches don’t always live up to their saintly reputations. Perhaps no era of college football was ever more emblematic of this than the early 1900s, a time when coaches worked the system with merciless flair to recruit the best players and then keep them eligible to play, even while other coaches were trying to steal already-enrolled players from rival universities. Amos Alonzo Stagg of the University of Chicago and Fielding H. Yost of the University of Michigan were no exception, and their bitter rivalry is one for the ages. In Stagg vs. Yost: The Birth of Cutthroat Football, John Kryk brings to life a story that is both timeless and familiar to all football fans, indeed to all sports fans: one man’s obsession to end the pain of a long losing streak to a hated rival. This is the story of how Amos Alonzo Stagg covertly punted many of the principles he espoused in order to dismantle one of the most powerful machines the game has known—Fielding Yost’s Michigan Wolverines. Kryk reveals the extent to which Stagg schemed to achieve victory against the “Point a Minute” Wolverines and the lengths Yost went to prevent that from happening. In addition, this book provides insight into college athletics’ corruption as a whole during this time, from under-the-table payments to recruits to contracted loans from wealthy boosters—and why the current NCAA rulebook contains page after page of recruiting and eligibility regulations. Featuring never-before-published internal correspondences of UM athletic leaders, Stagg’s surviving letters and notes, and reports from newspapers of the day, Stagg vs. Yost brings fresh insight into two legends of college football who would do almost anything to win. This book is a noteworthy and fascinating narrative for football fans, historians, and anyone interested in seeing where cutthroat college recruiting and coaching all began.