Charles Dickens’ second novel, Oliver Twist, or The Parish Boy’s Progress, was first published as a serial (in monthly instalments) in the magazine Bentley’s Miscellany from February 1837 to April 1839. The novel was inspired by Robert Blincoe’s account of his childhood spent in a cotton mill. Oliver Twist, an orphan, is born in a workhouse and later sold off into an apprenticeship. Dickens situates his protagonist amid the squalid lives of beggars, criminals and petty thieves. Trapped in a world of corruption and poverty, Oliver with his pure heart is rewarded with a fairytale ending. The dark reality of child labour, the effects of industrialisation and the condition of orphans in London in the mid-19th century form the crux of Dickens’ heart-rending novel. Great Expectations revolves around the life of an orphan nicknamed Pip. The novel, set in the 19th century, traces the psychological growth of Pip in three stages: his childhood in the marshes of Kent, his journey from the rural environs to the London metropolis, and finally his reluctant reconciliation with the vanity of false promises and values. The cast includes the cold yet ethereal Estella, the kind-hearted blacksmith Joe, the ‘pale young gentleman’ Herbert Pocket and the affluent, eccentric spinster Miss Havisham, among others. George Bernard Shaw said of the novel, ‘All of one piece and consistently truthful.’

-Illustrated with the original Illustrations by GEORGE CRUISHANK and other illustrations. -Table of contents to every chapters in the book. -Complete and formatted for kindle to improve your reading experience Oliver Twist, subtitled The Parish Boy's Progress, is the second novel by English author Charles Dickens, published by Richard Bentley in 1838. The story is about an orphan, Oliver Twist, who endures a miserable existence in a workhouse and then is placed with an undertaker. He escapes and travels to London where he meets the Artful Dodger, leader of a gang of juvenile pickpockets. Naively unaware of their unlawful activities, Oliver is led to the lair of their elderly criminal trainer Fagin. Oliver Twist is notable for Dickens' unromantic portrayal of criminals and their sordid lives.[1] The book exposed the cruel treatment of the large number of orphans in London during the Dickensian era. The book's subtitle, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress and also to a pair of popular 18th-century caricature series by William Hogarth, A Rake's Progress and A Harlot's Progress.[2] Oliver Twist was born into a life of poverty and misfortune in a workhouse in an unnamed town (although when originally published in Bentley's Miscellany in 1837 the town was called Mudfog and said to be within 70 miles north of London – in reality this is the location of the town of Northampton). Orphaned almost from his first breath by his mother's death in childbirth and his father's unexplained absence, Oliver is meagerly provided for under the terms of the Poor Law, and spends the first nine years of his life at a baby farmin the 'care' of a woman named Mrs. Mann. Oliver is brought up with little food and few comforts. Around the time of Oliver's ninth birthday, Mr. Bumble, a parish beadle, removes Oliver from the baby farm and puts him to work picking oakum at the main workhouse. Oliver, who toils with very little food, remains in the workhouse for six months. One day, the desperately hungry boys decide to draw lots; the loser must ask for another portion of gruel. The task falls to Oliver, who at the next meal tremblingly comes up forward, bowl in hand, and makes his famous request: "Please, sir, I want some more". A great uproar ensues. The board of well-fed gentlemen who administer the workhouse hypocritically offer five pounds to any person wishing to take on the boy as an apprentice. A brutal chimney sweep almost claims Oliver. However, when he begs despairingly not to be sent away with "that dreadful man", a kindly old magistrate refuses to sign the indentures. Later, Mr. Sowerberry, an undertaker employed by the parish, takes Oliver into his service. He treats Oliver better, and because of the boy's sorrowful countenance, uses him as a mourner at children's funerals. However, Mr. Sowerberry is in an unhappy marriage, and his wife takes an immediate dislike to Oliver – primarily because her husband seems to like him – and loses few opportunities to underfeed and mistreat him. He also suffers torment at the hands of Noah Claypole, an oafish but bullying fellow apprentice and "charity boy" who is jealous of Oliver's promotion to mute, and Charlotte, the Sowerberrys' maidservant, who is in love with Noah.....

In 'The Adventures of Oliver Twist: Unabridged with the Original Illustrations by George Cruikshank', Charles Dickens takes us on a journey through the dark underbelly of Victorian London, exploring themes of poverty, social injustice, and the resilience of the human spirit. Written in Dickens' signature style, the novel combines intricate plot twists with vivid descriptions of the characters and their surroundings, creating a rich tapestry of emotions and experiences. This timeless classic is a powerful commentary on the harsh realities faced by the marginalized members of society during the 19th century. Charles Dickens, a prominent figure in English literature, drew inspiration for 'Oliver Twist' from his own childhood experiences of poverty and hardship. His keen observations of society's treatment of the poor and disadvantaged fueled his desire to shed light on the injustices of the time, making this novel a poignant and thought-provoking read for all. I highly recommend 'The Adventures of Oliver Twist' to readers interested in delving into the complexities of Victorian society and exploring the enduring themes of morality, compassion, and resilience. This unabridged version, complete with the original illustrations by George Cruikshank, offers a comprehensive and immersive reading experience that will leave a lasting impact on its audience.

The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.

Award-winning screenwriter GARY WHITTA (Rogue One: A Star Wars Story, The Book Of Eli) teams with celebrated artist DARICK ROBERTSON (Transmetropolitan, HAPPY!, The Boys) for a new take on a literary classicÑwith a futuristic twist. OLIVER re-imagines Charles DickensÕ most famous orphan as a post-apocalyptic superhero fighting to liberate a war-ravaged England while searching for the truth about his own mysterious origins. ÒGARY WHITTA slips effortlessly from movies into comics with a terrific story and career-best art from DARICK ROBERTSON.Ó ÑMARK MILLAR

This beautiful edition of Tomie dePaola’s progressive 1979 classic stars a special little boy who won’t give up on the dreams that make him unique. Oliver Button is a sissy. At least that’s what the other boys call him. But here’s what Oliver Button really is: a reader, and an artist, and a singer, and a dancer, and more. What will his classmates say when he steps into the spotlight?

One of the finest novels by iconic British author Charles Dickens, this Victorian tale follows the good-natured orphan Pip as he makes his way through life. As a boy, Pip crosses paths with a convict named Magwitch, a man who will heavily influence Pip’s adulthood. Meanwhile, the earnest young man falls for the beautiful Estella, the adoptive daughter of the affluent and eccentric Miss Havisham. Widely considered to be Dickens's last great book, the story is steeped in romance and features the writer's familiar themes of crime, punishment, and societal struggle.