he drama begins with a body dumped in south-western Sydney - skinned, with no face. Lewis Lin, taxi driver, photographer, recent arrival from Beijing, happens to be at the scene. With detectives Ginger Rogers and Shelley Swert in pursuit, Lin finds himself drawn into a

"A novel about the gig economy. An under-employed internet artist. Modern love and a culture obsessed with the instantaneous satisfaction of selfies and self-identity."--

This book constitutes the thoroughly refereed post-workshop proceedings of the Third IAPR TC3 Workshop on Pattern Recognition of Social Signals in Human-Computer-Interaction, MPRSS 2014, held in Stockholm, Sweden, in August 2014, as a satellite event of the International Conference on Pattern Recognition, ICPR 2014. The 14 revised papers presented focus on pattern recognition, machine learning and information fusion methods with applications in social signal processing, including multimodal emotion recognition, user identification, and recognition of human activities.

A crucial aspect of our cultural shift from analog to digital is the continuum between online and off-, the “x-reality” that crosses between the virtual and the real. Our avatars are not just the animated figures that populate our screens but the gestalt of images, text, and multimedia that make up our online identities. In this BIT, B. Coleman looks at the research history in HCI of putting a face on things, the consequences of virtual embodiment, and our perception of simulation.