Emily Teter, research associate at the Institute, has selected 62 works from the over 25,000 in the Egyptian collection at the Oriental Institute at the U. of Chicago to provide the general reader and visitor with a sample of the breadth and significance of this little published collection. In addition to the royal portraits and relief sculpture commonly associated with Egyptian art, some more unusual works are included, such as lamps, grooming implements, and games. A history of the collection, especially the role of James Henry Breasted, begins the volume. A glossary, bibliography, map, chronology, and three indexes are included. Distributed in the US by the David Brown Book Company. Annotation ♭2004 Book News, Inc., Portland, OR (booknews.com).

Volume 1. From the beginnings to Old Kingdom Egypt and the dynasty of Akkad.

Scholars working in a number of disciplines – archaeologists, classicists, epigraphers, papyrologists, Assyriologists, Egyptologists, Mayanists, philologists, and ancient historians of all stripes – routinely engage with ancient textual sources that are either material remains from the archaeological record or historical products of other connections between the ancient world and our own. Examining the archaeology-text nexus from multiple perspectives, contributors to this volume discuss current theoretical and practical problems that have grown out of their work at the boundary of the division between archaeology and the study of early inscriptions. In 12 representative case-studies drawn from research in Asia, Africa, the Mediterranean, and Mesoamerica, scholars use various lenses to critically examine the interface between archaeology and the study of ancient texts, rethink the fragmentation of their various specialized disciplines, and illustrate the best in current approaches to contextual analysis. The collection of essays also highlights recent trends in the development of documentation and dissemination technologies, engages with the ethical and intellectual quandaries presented by ancient inscriptions that lack archaeological context, and sets out to find profitable future directions for interdisciplinary research.

This fully illustrated catalogue of essays, descriptions, and commentary accompanies the Oriental Institute special exhibit Picturing the Past: Imaging and Imagining the Ancient Middle East (on exhibit February 7 through September 2, 2012). Picturing the Past presents paintings, architectural reconstructions, facsimiles, models, photographs, and computer-aided reconstructions that show how the architecture, sites, and artifacts of the ancient Middle East have been documented. It also examines how the publication of those images have shaped our perception of the ancient world, and how some of the more "imaginary" reconstructions have obscured our real understanding of the past. The exhibit and catalog also show how features of the ancient Middle East have been presented in different ways for different audiences, in some cases transforming a highly academic image into a widely recognized icon of the past.