"Of all nineteenth-century English novels, " claims Edward Mendelson in his Introduction to this edition, "The Ordeal of Richard Feverel is the most self-consciously literary in its style and structure and the most sexually explicit in its plot and theme." First published in 1859, Meredith's first and most controversial novel concerns Sir Austin Feverel's misconceived attempts to educate his son Richard according to a system of his own devising -- a system based on theories of sexual restraint. Exploring generational and gender conflicts, the psychology of sexual jealousy and repression, and myths of Eden and Utopia, The Ordeal of Richard Feverel shocked Victorian readers but gained for itself a cult following. "Now that it has been freed from its reputation, " writes Mendelson, "readers can discover again the tragic and ironic force, and the psychological and formal complexity that make The Ordeal of Richard Feverel one of the most profound, subtle, and moving works of English fiction."

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Excerpt from The Ordeal of Richard Feverel, Vol. 2 of 3: A History of Father and Son Is it possible, quoth Mr. Thompson, the moment he had ushered his client into his pri vate room, that you will consent Sir Austin, to see him, and receive him, again? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Offering an authoritative account of the relationship between literature and medicine between approximately 1800 and 1900, this volume brings together leading scholars in the field to provide a valuable overview of how two dynamic fields influenced and shaped each during a period of revolutionary change. During the nineteenth century, medicine was being redefined as a subject in which experimental methodologies could transform the healing art, and was simultaneously branching off into new specialisms and subdivisions. Questions addressed in this volume include the influence of physics on poetry, the role of medical professionalism in fiction, the cultural and literary representation of sanitation, and the interdisciplinary nature of controversy and negligence. Along with its sister publication, Literature and Medicine in the Eighteenth Century, this volume offers a major critical overview of the study of literature and medicine.

The concept of eccentricity was central to how people in the nineteenth century understood their world. This monograph is the first scholarly history of eccentricity. Carroll explores how discourses of eccentricity were established to make sense of individuals who did not seem to fit within an increasingly organized social and economic order. She focuses on the self-taught natural philosopher William Martin, the fossilist Thomas Hawkins and the taxidermist Charles Waterton.

An innovative approach to literary stylistic analysis that targets students and scholars of nineteenth-century literature and culture through provocative interpretations of style in Victorian novels and succinct revaluations of major figures in rhetoric, criticism, and philosophy.